Other stories by Stan Thomas: 
Expo 04 Gala at Dulan's

 

 

It’s Jazz Festival Time!  

Diane Watson Speaks at Roundtable

Fallen Idol 

Rwanda: Lest We Forget... A Third Time 

The Next American Idol

A Passion for Truth

A Family Moves Forward

A Neighborhood Memorial Evokes Memories of Dr. King’s Legacy

The Expo At 15

Chasing the Cheesecake Factory

After the Firestorm 

IHOP Tripped Up

The Skinny on Fatburger

Media Memories Forget Minorities

She Came to Play! - Candy Dulfer Live at the Coach House

Rush’s Remarks Rattle Race Relations 

Community Cries Foul Over Board Game

AfterShock Registers A 9-0

It Never Rains In California?

 

 Metrolink Rocked, But Rolls Again

About Stan

Assuming the Position 

Story by: Stan Thomas

April 5, 2005 

I became aware of it in the early 80’s. It was after 10pm and I had just gotten off work. The bus that was supposed to be in the layover zone was nowhere in sight and I knew it would be an hour before the next one rolled by. So I started walking. The most direct route from Century City was straight down Olympic Blvd through Beverly Hills. That was probably my first mistake. But there was no other way to go.

As soon as I crossed Robertson Blvd I heard a car pull up in the gas station driveway behind me and honk the horn. I turned to see a squad car angled across the driveway. The officer motioned me toward him. It was late, I was tired, I had another two or so miles to walk, and now I’m being pulled over for being a young Black man in a rich neighborhood. That must be it, right? I hadn’t broken any traffic laws or committed any crimes. 

Driving home from church, I get pulled over - with my entire family in the car. Driving home from the supermarket, I get pulled over and frisked – in front of my 11-year-old son. Driving home from a nice restaurant in Beverly Hills - in a business suit - I get pulled over. (I’ve been pulled over in Beverly Hills so many times, now I just avoid the area. Whether that is the intended result of their police force’s activities or not, I do not know. But the fact I even bring that up speaks volumes. Unfortunately, two restaurants I enjoy there no longer get my business.) That’s just three of the countless times I’ve been pulled over. That does not include the endless number of times I’ve been painted (had my plates run by the officer in the police cruiser following me) or ‘escorted’ out of the city limits. I drive an old car - which I commonly refer to as a cop magnet - but I did not know that it was a crime to do so. 

One day a colleague from India, another Black man and I were talking. Soon a third brother walked up. In the space of less than three minutes, the three of us shared at least three personal experiences each, rapid-fire, about being pulled over for DWB. (During the time this story was being written, another colleague was pulled over and falsely accused of driving alone in the carpool lane.)  

As the last story was being told, it struck me that we shared these experiences like it was part of an everyday occurrence. In reality, it is. Then I thought about all the people who doubt there is such a phenomenon as DWB. What those people are really saying is that Blacks must have done something to get pulled over because no one gets pulled over for no apparent reason. I take great offense to that. This is not a problem faced solely by criminals. Almost every Black male I know had been stopped for DWB. If I were a gambling man, I’d bet  95% of you brothers reading this, at least once in your life, have been pulled over, or worse, for DWB. Miles Davis used to get pulled over regularly in his yellow Ferrari. Care to guess where the inspiration for his 1985 album “You’re Under Arrest” came from? Then-assemblyman Kevin Murray was pulled over - on his way to a victory rally celebrating his election to the California state senate. As a direct result, Murray sponsored AB 1264, the Traffic Stops Statistics Act, better known as the “DWB Bill.” (It was vetoed by then-governor Davis.) The list of Black celebrities who’ve experienced DWB goes on and on.  

This does not even begin to address the other injustices Black males have been subjected to at the hands of the police. Friends of mine have been pulled out of their vehicles, made to lie face down on the ground spread-eagle, thrown against walls and had guns drawn on them – oftentimes pointed at their heads. No, these were not street thugs committing these acts. These incidents occurred at the hands of the police, the very people we trust to protect us. And what about the recourse available to these victims? It goes without saying that the Rodney King incident would never have come to light had the beatdown not been caught on tape. Stanley Miller gets hammered with a heavy metal flashlight but the DA says he will not hear the case. Donovan Jackson is body slammed on a car but it is the man who threw him that gets to sue for $2 million for reverse discrimination. Of course, this is nothing compared to the shootings of unarmed Blacks by law enforcement.    

When justifying these acts, the first thing reported by the media is that the victim was a suspected gang member. Later, the story changes and says that the officer(s) involved felt their lives were in jeopardy. Deadly force is being used as the option of first choice. We see it over and over. A homeless woman charges an officer with a screwdriver and is killed. Put aside for a moment the fact that this was obviously a grossly disproportionate use of force. What does that say about the officer himself? He was unable to engage and disarm a homeless woman in hand-to-hand combat? A homeless woman charging him caused him to fear for his life? I wasn’t there, but surely there were a whole host of other options available to him other than discharging his weapon. 

13-year-old Devin Brown would tell you if a kid in a stolen car gets boxed in and backs into your police cruiser, he’s scared and is trying to get away. If someone aims a car at you and floors it while you’re outside your vehicle, he’s trying to kill you. But that young man isn’t around anymore. If Tiesha Miller were still alive, she would probably tell you that someone sleeping in a car with a gun in his or her lap is scared and is trying to protect themselves from someone who has been trying to harm them. They will be easily startled when you wake them. If they are awake and waving the gun around, possibly pointing it at you, they may try to shoot you. I wasn’t at either of these incidents, but it doesn’t take a high-level committee to figure this out. 

What I really want to know is what happened to the procedure of shooting to wound? All these incidents can’t be cases of a ‘lucky shot’. I can’t believe that highly trained officers have aim that ‘bad’. If their marksmanship is that good, it follows then that their intent is to kill. It would be an understatement to say that if police had followed a ‘shoot-to-wound unless fired upon’ policy, they would not be in the dire situation they find themselves in within the Black community. Or the Latino community.  

It’s a sad time when the first thoughts a law-abiding Black man has when he is stopped by law enforcement is “Lord, please don’t let them mistake me for a criminal.” Amadou Diallo would testify to that - if he were still alive. It’s even sadder when a Black man instinctively fears for his life when he gets pulled over. How many more of us have to die before this stops? How many more committees will be formed, studies funded, reports submitted before common sense and respect for human life become standard operating procedure?

What can we do to stop this wholesale disregard for human life? How can we revoke the carte blanche the police have been enjoying while we pick up the tab with our very lives? I don’t have the answers. But there are people and groups out there trying to do something about this needless violence. Surprisingly, one of those organizations is a group of Black law enforcement officials called Black Cops against Police Brutality or B-CAP. They readily admit there is a nationwide, systemic problem and are as anxious to end this type of cruelty as the rest of the Black community is. 

Stan can be reached for comment at: kanale90@aol.com 

All highlighted text leads to more information on the subject 

Writer’s note: The B-CAP website has a page that offers tips on what to do when you are stopped by law enforcement. Here are some additional ones: 

  • Make sure your seat belt is fastened. Don’t try to buckle up after you’ve been pulled over. It’s already too late, and the officer may misinterpret your actions. Even if you’ve done nothing else wrong, you will be cited for not having your seat belt fastened, thus justifying the stop
  • If you have the radio/CD player up loud, turn it down; especially if you’re listening to rap
  • Always tell the officer before you make any movements with your hands. For example, when asked for your license and registration, say, “It’s in my wallet in my back pocket.” Then slowly, deliberately, reach into your pocket and produce it
  • Whatever you do, do not escalate the situation. On the B-CAP site, you will learn the difference between a "war" and a "battle." Black men stopped for DWB are often baited by the officer to see if they can get a rise out of them. If you lose your cool, you’ve lost any chance of talking your way out of the situation and will most likely spend the night in jail

(Back to ExpoUpdate)


 The Metrolink Crash: A Survivor’s Story

Willa Robinson 

Story by: Stan Thomas

March 10, 2005 

Last month Expo Update ran a story about the recent tragic Metrolink train crash from a rider’s point of view. Since then, we’ve learned that one of our colleagues, Willa Robinson, Director of Advertising at the Los Angeles Watts Times, was actually on one of those trains.  

Ms. Robinson was in the second car in the southbound train, which is pointing off toward the left in this photo. (Click here for an overview of the entire scene). Her car was the one that struck the northbound train, derailing two of its cars. 

Though it is understandably still difficult to talk about the ordeal, Ms. Robinson shared her experience with the Expo Update.  

She rides train #100 on Metrolink’s Ventura County line to work three or four days a week. Her custom is to ride in the 2nd car because the first and last cars seem noisier. This has been her commuting routine since 2000 - until Wednesday January 26th

That day her commute started out as it normally does. She had just begun writing in her journal around 5:55am when, “we heard a familiar sound like rocks were on the track, but the difference was that the sound got louder and louder. It seemed that everyone on my level started looking at each other as if asking what should we do. I immediately started praying.” Being in the second car, there is no view forward so she could not see what was happening to her train as it barreled down the tracks. 

Seconds later, the events Juan Alvarez set in motion would become shockingly, painfully, and tragically apparent to her and her fellow commuters. Says Robinson, “The next thing I knew we had crashed.  However, at this point, I didn't know what we had crashed into.” The car Robinson was riding in did derail but stayed upright, although it was listing. “When I came to my senses, people were all over the train, on top of one another. I knew instantly that this was serious. Blood was everywhere.” After taking personal inventory, Robinson says she “could not put any pressure on my right leg. I thought my leg and my left jaw was broken.” 

Several of the other passengers in the train began helping those who were injured.  “A very nice lady named Barbara, whom I had never seen before,” along with another passenger helped Robinson off the train and placed her on the ground.  Barbara recited Psalm 23 with her. 

Willa continues, “I heard sounds of moaning and groaning, sounds of people crying, screaming for help, ‘please get me out of here!’ Some of the passengers looked as if they were not going to make it. As I was on the ground, we noticed the fire was blazing on one of the trains that had derailed. Lord have mercy. Barbara was able to get our conductor, Reggie, an African American, to help me move out of the way of the burning train, because they thought the train might explode. I remember hearing Reggie telling passengers as they were trying to get me out of the way of the fire, ‘Help is on the way, help is on the way.’ Reggie was a real trooper. You could tell he was so nervous as with all of us, his voice was shaking as he tried to talk.” 

By this time Costco employees had come out to see what all the commotion was about. Fire personnel arrived on scene soon afterward. They “cut the fence to get passengers over to the Costco lot where they were setting up triages.” The effort of the Costco employees was well publicized in the media. In Robinson’s opinion, “Barbara, the Costco employees and the Fire Department were all angels.” 

From just outside of the train, “One of Costco employees and Barbara helped me into a Costco grocery cart and rolled me around to the triage that was set up for passengers that were not critically injured. You probably have already heard that Costco employees were so efficient in providing ice packs, water, coffee, muffins, etc. The Costco employees were transformed into emergency room nursing staffers. I can't say enough about them.”  

After being in triage for what seemed like “hours and hours”, she was taken by ambulance to the hospital and treated. It turns out that she and four of her fellow commuters were taken to California Medical Center, a different hospital than most of the other injured passengers were taken to. That decision most likely lead to faster treatment since by then the Glendale hospitals had their hands full.  

In the accident, Willa sustained “a sprained and bruised right leg, neck, shoulder and back and my left jaw is out of alignment.” Her recovery includes weekly visits to a physical therapist and other medical professionals. “I still have many sleepless nights and see and hear the sounds and can't seem to get the accident out of my head.” She went on to say, “I don't believe my life will ever be the same as it was before January 26, 2005.”  

Willa returned to work this week. She drove there. She’s glad to be back because she loves her work. Ironically, the last sentence she wrote in her journal just seconds before the crash was “Today is the first day of the rest of my life and I am now ready to do what God has purposed me to do.” When asked if she would ever ride the Metrolink again, she replied, “I will ride Metrolink trains again when Metrolink decides to put the locomotive in the front at all times.” 

Writer’s note: Since the crash, Metrolink has responded by closing off the first 11 rows of seats in the cab cars when the train is being pushed (from behind by the locomotive). It seems to be an effort to show that Metrolink is taking proactive steps in the name of passenger safety. But it has not succeeded in comforting riders. What it has succeeded in doing is unnecessarily worrying passengers, making already crowded trains even more crowded due to the loss of those 11 rows of seats, and avoiding the real issue of the safety of the pull/pull system on Southern California’s railways.   

Now investigators say that Alvarez left his Jeep on the tracks with the intent to cause a train wreck in order to impress his estranged wife. This is the first step on the way to losing the case. There’s more than enough evidence to convict Alvarez on lesser charges, such as involuntary manslaughter, that will send him to prison for life. All this does is provide ample opportunity for a good lawyer to pick apart these charges, possibly ending in a hung jury or an acquittal. The rush to exact revenge upon Mr. Alvarez may result in prosecutors losing the case altogether. 

Highlighted text links to more information on the subject 

Stan can be reached at: kanale90@aol.com


Metrolink Rocked, But Rolls Again

 

Photo: Metrolink Connections Spring 2004 issue

Story by: Stan Thomas

February 8, 2005

 Wednesday morning January 26th, as I left my home, I turned on the news. The very first words I heard were about the Metrolink crash in Atwater Village near Glendale. The report shocked me. I had ridden Metrolink on that very same stretch of track the day before, so I was obviously very concerned.

 

I listened attentively as details poured in. The first reports said that two Metrolink trains had sideswiped each other. “Impossible”, I thought. Though they pass within a few feet of each other, the tracks are far enough apart for them to safely pass each other, even at high speed. No, something else must have happened. Hungry for more detail, I continued to listen.

 

Coincidently, my route that morning took me through Glendale. Newscasters on the scene mentioned the smell of burning diesel fuel. Sure enough as I neared the scene, the pungent odor of burning diesel fuel hung thick in the air, even from a couple of miles downwind. Traffic in the area is normally heavy at that time of day, but the closure of San Fernando Road (which parallels the crash site) coupled with the light rain brutally snarled traffic. My commute that morning ended up taking close to four hours.

 

By mid morning experts had figured out what really happened. Someone had tried to commit suicide by driving his vehicle onto the railroad tracks to await impending death by the approaching train. But apparently he had a change of heart. He supposedly tried to move the vehicle but it was too late. What followed was the nation’s worst train ‘accident’ in six years, and Metrolink’s worst disaster in their 12-year history. That someone was 25-year-old Juan Manuel Alvarez, who after abandoning his Jeep watched the entire deadly scene unfold in front of him.

 

The media interviewed a number of the officials who arrived on scene including Glendale Mayor Bob Yusefian and L. A. County Sheriff Lee Baca. Baca was obviously upset when he spoke, especially since one of his deputies, 23-year veteran James Tutino, was killed in the wreck.

 

The actual crash and ensuing derailments resembled something out of an action movie. Picture a southbound passenger train with dozens of commuters on board, many of which are sleeping. A Jeep sits across the tracks. The engineer sees this and hits the emergency brakes. Simple laws of nature dictate that because trains are heavy they cannot stop as rapidly as cars. The train rams the Jeep, drags it alongside and derails. Veering off to the right, the train smashes into a fully fuelled Union Pacific locomotive parked on a siding. The force of the crash knocks over the 134-ton locomotive like a toy. A fire breaks out. After hitting the locomotive, the cab car jackknifes, turning almost 180 degrees around. As it jackknifes, the back of the cab car strikes the last car of a northbound commuter train as it approaches from the opposite direction, knocking it and the car in front of it off the tracks. When the northbound train comes to a stop, an overhead signal falls down on top of it. The last car of the northbound train ends up on its side, looking like it was swatted off the track. The result? Six rail cars and two engines damaged, eleven people killed, 180 persons injured.

 

Amtrak conductor (Metrolink uses Amtrak engineers on their trains) Thomas M. Ormiston was among the 11 killed in the crash. He never had a chance. He would have seen the entire accident unfold right in front of him. The only thing he could do was throw the emergency brakes, which he did. He would have been the first killed since it was the cab area where he was seated that struck the Union Pacific locomotive. Approximately 1/3 of that cab car was destroyed.

 

The conditions in this fatal accident came together in what some are calling a perfect storm. Just a slight change in any one of the conditions and the outcome could have been different. Had the engine been in front, it is likely the southbound train would have just demolished the Jeep and not derailed at all. Had Alvarez been further south down the track, the derailing southbound train would have missed the locomotive. Had the northbound train been just five seconds earlier, it would have missed – barely - the jackknifing cab. Had Alvarez pulled this stunt 22 hours earlier, this article would have been written from a victim’s point of view. Speculation continues.

 

The San Francisco Chronicle ran a piece detailing opposing arguments over the push-pull system used by commuter trains. The article’s accompanying diagram explains how the push-pull system works. As a Metrolink rider, I know first hand the security of having a 270,000-pound hunk of steel up front pulling the train. In the Expo Update article I wrote after the 2003 Burbank derailment, I described how when we hit a truck sitting on the tracks, the engine was leading. All the passengers heard was a loud bang. We stayed upright and on the tracks, but, in the conductor’s words, we “creamed a truck.” The engine looked none the worse for wear. In fact, it was hard to tell it had even hit anything.

 

Talk of lawsuits is already in high gear. The Los Angeles Times probed the possibility of Metrolink being sued, and the probability of the plantiffs’ success. Not surprisingly the ambulance chasers were on scene illegally trying to solicit clients from among the dazed victims.

 

In the matter of how Mr. Alvarez should be charged, attorney Andrew Cohen gave his view for CBSNews.com. While his arguments are sound, he goes a little too far. The state could save even more money by seeking a lesser charge of 11 counts of homicide. That would be much easier to prove. There would be less change of a mistrial or a hung jury. And there would almost certainly be no series of lengthy and costly appeals. Alvarez should get life in prison without the possibility of parole. The goal of the justice system is to make the punishment fit the crime. In this case the death penalty would be like granting Alvarez’s wish. Let him live to consider the effects of his actions. The San Francisco Chronicle has a discussion about the actual charges being leveled against Mr. Alvarez.

 

Los Angeles Mayor James Hahn has asked the Metropolitan Transportation Authority (MTA) to intensify its efforts to seek funding for more safety measures. But all the safety measures in the world will not stop someone who is determined to get onto the tracks to commit suicide, just as having all the imaginable safety equipment on an automobile will not stop someone determined to step in front of a moving one.

 

The day after normal service was resumed, trains were full. It would not appear the crash deterred Metrolink customers. Listening to commuters talk after the wreck, it is obvious most share Sheriff Baca’s anger and loss. They, too, lost friends and loved ones. The common feeling among them was that the selfish actions of one person caused this tragedy. Some on and off-the-record comments from train riders included “if he (Alvarez) wanted to kill himself, he should’ve just got a gun,” and “if you want to take your own life, fine. Just don’t jeopardize mine when you do it.”

 

Metrolink should be congratulated for the manner in which they enacted their emergency plan. Passengers heading south toward Union Station on the Ventura and Antelope Valley lines – lines disrupted by the crash – were taken off the trains at Burbank. They were put on waiting busses and driven to the Glendale station. Then shuttle trains carried them on to Union Station. Plenty of Metrolink staff were available both at Glendale and Union Station to direct passengers and to provide necessary information. For northbound service, the process was reversed. Metrolink even pressed Amtrak trains into service to shuttle commuters between Union Station and Glendale. Even with the detour, it added only about 20 minutes or less to each trip. The only day service was halted completely was Saturday.

 

As of Monday January 31st, service has been fully restored. The Union Pacific tracks were repaired that Friday night with Metrolink tracks and the signal up and functional Saturday night. Metrolink decided to delay return to service until after the weekend to allow the backlog of Union Pacific freight traffic to go through first. Visit Metrolink’s news page to get the latest information about Metrolink’s train service.

 

All highlighted text links to more information on the subject

Stan can be reached at: kanale90@aol.com


It Never Rains In California?

  

Story and photo by: Stan Thomas

February 6, 2005 

Whoever believes it never rains in California either has not heard the rest of the song or was not here last month. Record-breaking rains hit our state. Floods, mudslides, landslides, road closures, roof collapses, entire home collapses, and spectacular rescues dominated the news. Had Noah come sailing by on his ark, no one would have been surprised. 

Many native Southern Californians have never seen rain like this in their entire lives. Imagine a tornado ripping the roof off a house in Inglewood! Imagine watching a home fall into a rushing river that is normally dry during the rest of the year! Imagine not being able to get to and from your home in Southern California because the roads have been flooded or washed out!

One common occurrence during times of heavy rainfall is the numbers of individuals who ignore repeated warnings from officials about the dangers of fast-moving water. People continue to venture too close to rivers and get swept in. They continue to drive around posted road closures and get stranded. This year law enforcement officials announced they would start citing those who drove around such closures. If rescue personnel are called in, victims would have to pay for that as well. The owner of the car in the photos ignored the signs and found out the hard way why the road was closed.

Even though the rains have stopped and things appear to be drying out, all is not clear yet. A drive around Echo Park, Angeles Forest, Pacific Coast Highway or dozens of other areas will reveal that. Hillsides are still sliding. Caltrans has opened some roads but has a lot more to repair. In fact some roads are still closed indefinitely. Home and business owners are scrambling to make repairs.

If you have been affected by the storms and need assistance, please visit our Expo Exhibitor’s list. There you can find someone to help with construction, roofing, plumbing, contracting, loans or whatever your need may be. Remember that the Expo community is available 365 days a year, not just at Expo time. To those who were affected by the storms, we send our thoughts and prayers. Write in and let us know how you got through all of this.

 

Stan can be reached at: kanale90@aol.com

 


 

Dance Theatre of Harlem Leaps Back to Its Feet

 Photo from DTH web site

Story by: Stan Thomas

January 3, 2005

 

Last fall, an American institution, the Dance Theatre of Harlem, found itself on shaky fiscal footing. Rumors floated that it would have to cancel its season due to flagging finances. Indeed, they did draw the curtain on their season, laid off staff and dancers, but vowed to keep the school open. However, DTH could no longer afford to keep up its insurance payments. Two weeks later their insurance was cancelled. As a result of that near-fatal two-step, the school itself was forced to take what appeared to be its final bow on October 16th.    

But the world audience demanded an encore. In a grand pas de trios, a special fund-raising campaign headed by Arthur Mitchell, Laveen Naidu, and Michael Kaiser brought in over $1.6 million from a variety of government, corporate, foundation, and individual sources. From off-stage, a dollar campaign was started, which thousands heard about through e-mails circulated around the Internet. An ‘anonymous’ donor - who was later revealed to be the mayor himself - stepped up with a $500,000 donation.

Patience and philanthropy paid off. On November 30th, after a six-week 'intermission', New York City Mayor Michael Bloomberg (read the press release) and DTH founder and Artistic Director Arthur Mitchell proudly announced that DTH would re-open its school starting Saturday December 4th. (Listen to an NPR audio reported by Alicia Zuckerman of member station WNYC: http://www.npr.org/templates/story/story.php?storyId=4193062)

Going forward, DTH will have a new look. Laveen Naidu has been elevated to the position of Executive Director. He previously served as Director of the DTH School. The Board of Directors has elected six new members. The staff structure will undergo a re-org. Expanded outreach and education programs, and an annual New York season are being choreographed. Michael Kaiser, President of the John F. Kennedy Center for the Performing Arts in Washington, D.C., is working closely with DTH's principals as a pro bono consultant. Kaiser has gained quite a reputation in the performance art circles for orchestrating the turn-around of the finances of ballet and opera companies, including those of the Alvin Ailey American Dance Theater. By summer, DTH plans to bring back the full troupe.

For 35 years, DTH has been dazzling audiences around the world with their repertoire, including "The Firebird" which this writer saw when they performed in Los Angeles several years ago. They were the first American dance company, black or white, to tour South Africa after the 30-year cultural ban was lifted, and the first American dance company, black or white, to tour Soviet Russia. They have turned around the lives of hundreds of Black youth. Now it looks like DTH itself is back en pointe.

 

All highlighted text links to more information on the subject.

Stan can be reached at: kanale90@aol.com

On their web site, DTH "would like to take this opportunity to say THANK YOU, and that this is JUST THE BEGINNING ...we STILL NEED YOUR SUPPORT. Please consider donating to Dance Theatre of Harlem."

If you prefer snail-mail, you can send your donation, made payable to Dance Theatre of Harlem, at this address:

DANCE THEATRE OF HARLEM
ATTN: Web Appeal
466 WEST 152 STREET
NEW YORK, NY 10031

(Back to Expo Update)


Election 2004: Informed or Annoyed?

 Photo and story by: Stan Thomas

Tired of all the commercials about the California propositions this November? There are 16 of them on the current ballot. (Click the link for a list of all 16 propositions that qualified for the November 2nd ballot.) How about all those mailers from your political party suggesting how you should vote? Some people are even getting recorded message phone calls at home on numbers that are unlisted.

Tired of all the negative attack ads from the presidential candidates?  Every day, it seems like one candidate has dug up some new dirt on the other. The problem with all this mud slinging is "if you throw dirt at people, you've got to get the dirt on you." Anyone who chooses a president based on this type of a campaign is not getting the facts necessary to make an informed decision.

It is extremely difficult to watch television during election years because of all the distortions of truth. It is insulting to the intelligence of most voters. Does anyone trust those endless, ever-changing polls? Apparently the public is getting tired of them because news reports say surveyors are having a hard time finding willing participants. Voter apathy is rampant. Add to that the debacle in Florida in 2000 and the news about Ohio becoming ‘the next Florida’. It’s a wonder anyone still has faith in the electoral process.

The vice-presidential debate was an anger-filled waste of an evening. Jon Stewart, of Comedy Central's "The Daily Show", summed up the entire debate by imitating the candidates this way:

Vice President Dick Cheney: "Grrr."

Senator John Edwards: "Golly."

Cheney: "Grrrrrrrrr."

Edwards: "Gol-ly."

Cheney: "GRRRRRRRR!"

Edwards: "Jeepers!"

Funny until one realizes this parody was not far from how the debate actually went.

Proposition 64, one of the 16 propositions on the California ballot, seems like a no-brainer, but it, too, is facing opposition. It seeks to reduce or eliminate altogether the proliferation of so-called 'shakedown' lawsuits in our state. Several groups representing businesses such as the California Chamber of Commerce are supporting the initiative. But the Independent Voter’s Guide recommends a no vote. They and the opposition say it limits “enforcement of public health, environmental, and consumer fraud laws.”

Our Governor, Arnold Schwarzenegger, says the passage Proposition 66 will mean the release of 26,00 rapists, murders, and child molesters onto the streets and into our neighborhoods. On the other hand, Richard Klaas, whose granddaughter Polly was killed by a repeat criminal, is speaking out in support of the passage of the proposition. Polly Klaas' death subsequently led to the creation and passage of the original so-called "Three Strikes" law, Proposition 184. Klaas, himself, says that the current law is flawed. People whose third strike may be the theft of 'a bottle of aspirin' are being thrown in jail for life. And we are paying "$1 million a year" to incarcerate them.

Proposition 67 is intended to provide a source of revenue for our state's hemorrhaging emergency treatment system. Proponents state this in their ads. It is common knowledge that our state's trauma centers and many of the hospitals that contain them are in serious trouble. But opponents say this is a boon for cell phone companies and an unfair tax on senior citizens.

Proposition 68 says on one hand that passage will make Indians pay their fair share. On the other hand, a vote against Prop 68 says it will block casinos from invading our neighborhoods and prevent more of a strain on our already overburdened freeway system from the additional influx of traffic the casinos will create.

Proposition 70 is similar to Prop 68. Which is which? They both involve tribal gaming compacts. Only a careful perusal of the voter pamphlet will answer the question. A perusal of that same pamphlet also reveals a disturbing trend: one has to wonder why the Native Americans are being targeted again, this time not by just one, but by two propositions.

How is anyone supposed to make an informed decision based on such conflicting information? As with most things political, knowledge is power. Don't trust what you see on television advertisements. Read the papers. And read a variety of them. The Internet is another great source of information. Google news is a good place to look. Again, read a variety of sources. Of course, read the Official Voter Information Guide.

Until positive ads start airing during election season, November will be a difficult time for those who have grown weary of the constant bombardment of negative and misleading advertisements. Until the presidential campaigns start building up what they will do during their administration instead of tearing down their opponents, many a deaf ear will be turned to the media. Regardless of how you feel about the candidates, the propositions, and their ads, one thing is certain; you must make your voice heard. You must get out and vote!

All highlighted text links to more information about the subject. All the highlight proposition links lead to PDF files and require a PDF viewer to read. Download one here: http://www.adobe.com/products/acrobat/readstep2.html

Stan may be reached for comment at: kanale90@aol.com

 

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Real Men Wear Pink 

 Story by: Stan Thomas

(For Minnie, Georgia, Myra, Donna, and Hattie)

Yes, real men do wear pink. But not to be down with the current fashion. They wear pink in memory of their wives, mothers, and grandmothers. They wear pink in memory of their daughters, aunts, nieces, friends, and girlfriends. They wear pink to show support for breast cancer awareness. They click pink to help fund mammograms for underprivileged women. They buy pink to help find a cure for breast cancer.

Not only do real men wear pink, click pink, and buy pink, this year men (and women, too) can eat pink. M&M's has created a special bag of pink and white M&M's which are available during the months of September, October, and November. For each bag sold, M&M’s will donate 50 cents to the Susan G. Komen Breast Cancer Foundation.

Real men shift pink. Medical experts recommend that women begin getting regular mammograms at age 40. Real men can shift this advice and encourage the women in their lives to start getting regular mammograms at age 35, and to start monthly self-examinations in their late teens. Susan G. Komen died at age 36. This writer lost two friends who didn't even reach that age. Singer Minnie Riperton was only 31 when she succumbed to breast cancer.

Most importantly, real men act pink. They make sure that the women in their lives are aware of the realities of breast cancer. They make sure their loved ones do the self-examinations and get mammograms. If their loved ones are unfortunately diagnosed with breast cancer, real men get involved with all aspects of the treatment. They help find support groups like the Hattie Anderson Breast Cancer Foundation and Men Against Breast Cancer

Another reason men should be thinking pink; breast cancer is not just a woman's disease. Men get it, too. Shaft, himself, actor Richard Roundtree, was diagnosed with breast cancer in 1993. Roundtree has been working with the Susan G. Komen Breast Cancer Foundation to get the word out to men about the disease.

October is Breast Cancer Awareness Month. Though breast cancer awareness should be at the forefront every day of the year, this month especially men should be thinking pink. Breast cancer affects and afflicts a disproportionate amount of Black women. Sadly, the saying about Black folk not going to the doctor is true in too many cases. For real men, being pink is a sign of strength. Being pink could save a loved one's life.

Highlighted text links to more information on the subject

Stan can be reached for comment at: kanale90@aol.com

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Expo ‘04 Network Reception A Tasty Success at Dulan’s

By Stan Thomas

 The Los Angeles Black Business Expo’s Network Reception was held Friday evening at Dulan’s restaurant on Crenshaw in Los Angeles. The host, long time food court exhibitor Greg Dulan, prepared well for the event. Even valet parking was available. Dulan recently completed a renovation of the facility, which now sports a covered patio.

This night, networking was the name of the game and was in full force. Seasoned exhibitors know that they will be busy come Expo time, so they took advantage of the networking opportunity.

Expo staff Ruth Williams and LaSandra Stratton greeted eager exhibitors at the door, making sure they felt welcome. After getting checked in, the networking began immediately. Long, long time exhibitor Bill Doucette of Doucette Printing says he has a new website and extended an invitation to visit it (click on the above link). Talking to Doucette was Shadrack Hill, account executive with Black Meetings and Tourism magazine. Though BM&T has been an exhibitor almost since day one, this is Hill’s first Expo. Joining them was Michael Greenlee, now of Office Furniture Outlet.

After the focus shifted to the patio area, Samphiwe Mdingi from the South African Consulate stopped by. This is his first Expo. He and his contingent are looking forward to the Expo weekend. Past exhibitors and Expo supporters Norwood Clark and Sam Small of Uncle Darrow’s Cajun and Creole Eatery came in and greeted some of their friends.

Our chief photographer Mike Riddick was there doing what he does best. His photography appears here in almost every issue of our newsletter. If you represented at the networking reception, Mike probably caught you. Click here to see more images from the event.  

The reception was catered and who better to cater it than the members of the Los Angeles Black Restaurant Association. These restaurateurs, and the restaurants they own will also be part of the Expo’s hugely popular Tastin’ Black Culture Food Court, sponsored by Lawry’s Foods. Not only were guests treated to some of the best cuisine in L.A., it was proudly served by the individual restaurant owners themselves. Derrick Angus, Don Coley, Muriel Shabazz, and Greg Dulan proudly served up samples of what can be found on the menus of their eating places. For some exhibitors, this may be the best chance they’ll have to sample foods from the restaurants; during the Expo, they’ll be too busy talking to the expected 70,000 attendees.

As exhibitors finished up their meals, Harold Hambrick, our executive director took the podium. He announced that the Network Reception serves as the kickoff to the Expo. From here on out, the hard working Expo staff will do nothing but eat, drink, sleep, and talk Expo. With just 3 weeks to go, it’s time to get ready.

Hambrick acknowledged the restaurant owners and asked them to come forward. The audience gave an enthusiastic round of applause for them and for the food. First to speak was Derrick Angus of Derrick’s Jamaican Cuisine on La Cienega and Centinela. He was followed by Don Coley of Coley’s restaurant on Florence in Inglewood. Hambrick let the audience in on a not-so-well known secret; Coley’s love of the game of golf.

Host Greg Dulan spoke next. Dulan’s has been here on Crenshaw for 14 years. He explained why they are only open on Sundays and gave a little history of the restaurant. He shared a small revelation he experienced moments earlier; until this evening he did not realize how well collard greens and black-eyed peas went with jerk chicken.

Coincidently, both Dulan and his father Adolph Dulan, owner of Aunt Kizzy’s Back Porch in Marina del Rey, were both featured in the latest edition of Rolling Out magazine. Hambrick presented both with a plaque commemorating the achievement.

Up next was Charles Brister, who has a directory of Black businesses called The Black 411. Myra Wallace, director of the West Coast Fashion Show, told the audience what to expect at the Fashion Show. This year will feature a tribute to Deanzines, one of the WCFS long-time designers. Wallace is also is heavily involved with this year’s inaugural Urban Idol competition, the finals of which will be held Saturday night before the fashion show. The winners of the Urban Idol competition will go on a 5-country USO tour.

One of our newest sponsors, Comerica, spoke next. They are glad to be joining us this year and say they hope to be with us for many years. Hambrick acknowledged some of the other sponsors and city officials such as Washington Mutual, Wells Fargo, Lawry’s, CitiBank, Union Bank.  Then Harold announced for the first time publicly that OneUnited Bank had agreed to be the presenting sponsor of LABBETS.

Hambrick acknowledged Darryl Bryant of Totally Entertainment, who provided the sound and DJ for the evening. Bryant has been in business for 24 years and has been with the Expo almost since its inception. Bryant has done incredibly well, especially as a result of his involvement with the Expo. Darryl has mentored a number of Expo youth who started their own DJ businesses, and this year, his son, Derrick, served as DJ at the affair.

The Expo could not happen without a dedicated staff. Hambrick made sure the audience knew this before he called up the LABBETS staff to introduce themselves to the exhibitors. Of the staff present on this evening were Denise Estelle, account executive, June Hoxie, special assistant to Harold Hambrick, James, (who is actually making commercials of the exhibitors to be shown continuously at the Expo), Miss Ruth Williams, Office Manager, LaSandra Stratton, Isidra Person-Lynn, Media Director, chief photographer Mike Riddick, photographer/writer Stan Thomas, Studio 63 videographer Eric Glenn and Marcus Redd, Kid’s World director Alberta McCoy, Sharon Edwards, Special Events Coordinator, Ernestine Dixon, co-founder and sales executive, and Rev. James Jones. Arelettia Jones was present earlier but left to finish more Expo duties.

Before the reception came to a close, Hambrick introduced L.A. Technology Connection. Representing L.A. Tech was Peggy Edwards, Gail Parker, and Kathy Edwards. They put together a CD with a listing of Black businesses. Then L.A. Technology Connection presented Harold and the LABBETS staff with an impressive award in recognition of the contribution of technology to the Los Angeles community. The award was designed by Larry Square of Square Deal Trophies.

The Networking reception is the best opportunity for exhibitors to meet each other and network before the Expo. At Dulan’s last Friday, everyone was talking to someone about their business. Business cards were traded quickly. If this was any indication, the 16th annual offering of the Expo promises to be another success!

To see the photos enlarged or in a slide show, click here.  Photos by Michael Riddick, Net. Profiles

To comment, email kanale90@aol.com

 


The LABBETS Hook-up - Networking At Home and Abroad

Story by: Stan Thomas

One of the most rewarding aspects of the Los Angeles Black Business Expo and Trade Show is the networking. Contacts established at the Expo can develop into friendships, business partnerships, and more. Sometimes these associations prove their value when you least expect it.

The Expo has held numerous trade summits where representatives from African and Caribbean nations were on hand to explain how to trade with their respective countries. (It would behoove anyone who is considering doing business with or in these countries to make a point of going to these summits. The information disseminated during these seminars is invaluable. It could take an extraordinary amount of time and effort to try to gather this information on your own.) Jamaica was one of those countries on hand. Though I was not able to attend the summit, I did collect some information about Jamaica from the table outside.

Derrick Angus, owner of Derrick's Jamaican Cuisine, is from Jamaica. He hails from Ocho Rios area. Coincidentally, that is the same area where I stayed during my recent trip there. He gave me the name and number of his cousin Kenny who operates a tour van. We met up and Kenny gave me a tour of the area, including areas of rapid new hotel and housing development. He also took me to The Ranch, a Jerk Centre near the White River.

I just returned from Jamaica three days before press time. It dawned on me when I got back home that with just these two contacts made at the Expo, the avenues necessary to start a business in Jamaica had been opened. With the Jamaican trade representative, I could get all the necessary information, forms, etc. to actually do business there. And with Kenny's knowledge of the area, I would be able to get to all the government offices, find a proper location for the business, and of course, find a good place to live. If starting a business in Jamaica were my desire, I would be set.

Networking at the Expo extends beyond the walls of the Convention Center. Exhibitors come from around the world to our community. Take advantage of the opportunity. The world could be your business oyster.

For comment, Stan Thomas can be reached at: kanale90@aol.com

 


 

It’s Jazz Festival Time! 

Photo and story by: Stan Thomas

As we head toward the summer months, the Jazz festival season heats up. Angelenos will have plenty of events to choose from this year. Of course, the daddy of 'em all is the Playboy Jazz Festival. But the South Bay Jazz Festival, Long Beach Jazz Festival, Catalina Island JazzTrax Festival, Old Pasadena Jazz Fest, and Smooth Jazz 98.1 Jazz Festival in San Diego all have excellent line-ups.

We just returned from the Smooth Jazz 98.1 Jazz Festival Saturday. They turned San Diego’s Gaslamp Quarter into a six-block block party. At times it resembled Mardi Gras in New Orleans. Almost 30 clubs in the surrounding area had Jazz groups performing throughout the day, while the top name groups played on two main stages.

I love Jazz festivals. I love them for several reasons, but mainly for their diversity. Nowhere else can you see such a wide range of Jazz styles and so many groups in one place. I especially enjoy hearing artists I have never heard of before, like when Regina Carter performed at the 2000 Playboy Jazz Festival.

Speaking of the Playboy Jazz Festival, this year will mark the 26th year for the event, held each year at the newly renovated Hollywood Bowl. I attended this concert for 21 straight years until 2001. The only reason the yearly tradition was broken was because I went to the Ocho Rios Jazz Festival in Jamaica, which is held during the same time as the Playboy fest. In the 26 offerings of the event, it has never rained. The Bowl is the perfect place to see a concert; outdoors, warm and sunny days, sultry, slightly breezy nights, a good view from every seat in the house. Continuous music, literally, is performed for you by the groups on a rotating stage. And the best part is sharing the food you brought with your fellow Jazz lovers seated in your area. Patrons lay out lavish spreads featuring just about anything you can imagine: barbecue, grilled meats, fried chicken, smoked salmon, salads, champagne, wine, cheese, crackers, fruits... But I digress. 

Come check out some live Jazz this summer. With the ever-increasing number of concerts being offered, you’re bound to find one you like. You might even bump into several of our Expo staff, whom you’ll find wherever good Jazz is played.

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Jazz Hits Sour Notes On LA Radio

Jazz Hits Sour Notes On LA Radio

 Story by: Stan Thomas

 Something's wrong with Jazz in the LA radio market. It has been kidnapped, held prisoner in a dark dungeon where nary a ray of sunlight penetrated, choked, starved, and then force-fed a bland diet. Jazz now exists as an emaciated, mal-nourished, brainwashed, homogenized shell of its former self.

 This is LA The place where musicians dreamed of living and playing. The home of great studios like Capitol and A&M. Outside of New York, LA was the place to go if you were good enough to 'make it'. It is a shame that we don't have a Jazz radio station that reflects that legacy.

 We used to have a great Jazz station way back in the day with KBCA 105.1 FM. (Those of you who remember those call letters will really appreciate this article.) It was later changed to KKGO, presumably because everyone kept transposing the call letters. KKGO gave us a wide range of Jazz styles, from Be-bop to Contemporary, and everything in between. KKGO gave us the late 'Be-bop' Chuck Niles - who for this writer is THE voice of Jazz, Laura Lee, Sam Fields, and many other Jazz hosts; it's difficult to refer to them as DJs. They knew the music, they lived the music, and knew many of the artists. Then, for $ome $trange rea$on, the station changed format and went classical. For a while, KACE 103.1 FM hung in there offering mainly contemporary Jazz on Sunday afternoons. But like all good things that, too, came to an end. Then, sadly, KACE itself soon bit the dust.

Now the LA radio market is left with two stations playing Jazz; KKJZ 88.1 FM (formerly KLON) in Long Beach and KTWV, better known as 94.7 The Wave. KKJZ plays really old school straight-ahead Jazz with a healthy helping of Blues thrown in. Latin Jazz is featured on certain segments. The music they play is good, good music. So what's the problem with KKJZ? That is all they play. No Contemporary Jazz. No Avant-Garde. No new Jazz artists. Only old, 'established' artists. Case in point: Carlos Cuevas, a keyboardist from Venezuela, has a new CD out called Depiction. Ever heard of it? That's probably because it doesn't get played on the air. Cuevas is a new artist and although he has played with some of the greatest Jazz musicians in the world, KKJZ won't play his work. KKJZ is like a steakhouse serving 3 kinds of steak with no chicken or fish, no vegetables, no beverages, no side orders, and no new menu items.

In this way, KKJZ, while appealing to die-hard Jazz aficionados, is stagnating the art of Jazz by not playing unfamiliar artists. Jazz has always evolved as new cats came on the scene with something new to say. Where would Jazz be today if all we were given to listen to was Louis Armstrong? Can you image Jazz without John Coltrane, Dizzy Gillespie, Charlie Parker, Art Blakey, or Charles Mingus? What would Jazz be like without the contributions of Miles Davis, Weather Report, Grover Washington, Jr., Jeff Lorber, or David Sanborn?

At the other extreme is smooth jazz station KTWV. The Wave is a monolith at the forefront of the current Smooth Jazz trend. Though they and other stations around the country claim to play smooth 'Jazz', The Wave's playlist includes large doses of pop and R&B. One of the common beliefs of promoters who put on Jazz festivals is that the Jazz artists themselves can't fill the venue. So they have to add soul and R&B acts to the line-up to draw the crowds. It seems like Smooth Jazz stations are doing the same thing. But while they are adding non-jazz styles, they are suppressing the real Jazz styles. In the process, they are diluting Jazz.

The Wave is very big and very popular. No doubt they know this. They also know that they are the only game in town for Contemporary Jazz. There isn't even any competition. But it seems like KTWV is using its size to crush a competition that doesn't exist. And it's the musicians and Jazz itself that are paying the price.

Switch on KTWV on any given day and you'll get a heavy dose of pop and R&B from artists like Toni Braxton, Phil Collins, Sting, George Michael, Al Green, Anita Baker (we'll cut smooth jazz some slack on that one), the artist formerly known as Terrance Trent D'Arby, The Doobie Brothers, The Commodores, Eric Clapton, Des'Ree, and Hall and Oates; certainly not Jazz by any stretch of the imagination. It's painful to hear the DJ come on the air with the tagline "Smooth Jazz" following a song by one of these singers.

Listen to The Wave long enough - like maybe two or three days - and you'll hear the same songs over and over. They even begin to sound the same after a while. This may have been what killed Kenny G's popularity. Smooth Jazz blew him up big time during the 90's. But after putting out a string of albums that sounded formulaic, each no different from the last, his star has been fading fast. As Whitman Mayo's character Mr. Rhythm said in the movie D.C. Cab, "that which make you, can also break you."

By calling themselves "the soundtrack for Southern California," The Wave is relegating Jazz to background music. They have taken the art form, removed the individuality, the creativity, the spontaneity, and the diversity, and turned it into elevator music. Time was that you listened to Jazz, both in person and on the radio, to hear the music, to hear the artist. Now Jazz, in the hands and airwaves of The Wave, has become something to listen to while you do something else. KTWV is like a restaurant chain that serves tofu, brown rice and carrot juice. Wine tastings are held every Sunday afternoon with plenty of Evian water to drink. They have fish and chicken on the menu but it is frequently unavailable. Forget the red meat, dessert, or any spices. Smooth Jazz is what you would hear while eating at this restaurant.

When The Wave promotes their events, they are held at venues like Spaghettini, I Cugini Italian Grill and Jazz Club, and the Hyatt Newporter. Have you checked the admission prices to these places? Have you noticed where these venues are located? It's a known fact that jazz clubs are not as plentiful as they used to be. But what’s wrong with promoting a concert at some of the remaining clubs?

There is no longer any variety in Jazz radio. Musicians have been speaking out about this for some time now. In an article published by EUR, Jazz giant Thelonious Monk's son T.S. Monk breaks it down perfectly. Bob James, the keyboard virtuoso currently with the supergroup Fourplay, recognizes how the restrictive format can also typecast musicians. Back in 1991, Fourplay's self-titled first album was immediately gobbled up by the Wave and other Smooth Jazz stations, instantly becoming the definition of Smooth Jazz. His group's album “Heartfelt” is a conscious and deliberate effort to break out of that stereotype.

One of this writer’s favorite saxophone players, Everette Harp, is one of the musicians whose music The Wave does play and is referred to by The Wave as a 'smooth jazz artist'. Harp gave the Expo Update his feelings on the genre: "Smooth jazz has its place, and is relevant, but as a genre in and of itself, it lends itself to too much sameness. You know, "the song you've heard a thousand times even though it is a different song". Things just start to sound the same. I think a more varied contemporary genre would help to represent jazz in its many contemporary colors. Right now, it seems that artists write for the genre rather than for the artistry. While I'm sure that makes radio stations ecstatic that they have that much control of input into the creativity of recordings, it is so very wrong to have the creative source lean heavily on the conduit to figure out how new material should sound."

KTWV's anemic archives occasionally give a false impression of its depth. Once in a while you'll hear Dave Brubeck's classic "Take Five." That song was recorded back in 1959. But they skip almost 20 years worth of Jazz between then and the late 1970’s, from which they dig up John Klemmer's "Touch," which they play constantly. The Wave will play Chuck Mangione's hit "Feels So Good" over and over. Mangione has recorded music through five decades. "Feels So Good" came out in 1979. It is a nice song, but is this the only Chuck Mangione tune they could find to play out of 40-plus year's worth of his music? By reaching back and playing one or two classics, they give the false impression that they have a more substantial collection of real Jazz than they actually do. By the way, Brubeck has been recording since the 1940's. In a frustrating attempt to find more variety, I've switched to KIFM 98.1 FM in San Diego.

Not only is The Wave very selective in who they play, they are very selective what instruments are played. Guitars and saxophones are the instruments of choice for Smooth Jazz. In fact, some of the concerts are billed as "Guitars and Saxes". A few keyboard players and one or two trumpet players round out instrumentation heard on The Wave. You'll hear a flute only if it is in the background of the song (Najee being the lone exception - probably because he's primarily a sax player) but you won't hear Hubert Laws, Sherry Winston, or Dave Valentin. You'll hear a violin as part of orchestra but not Karen Briggs, Charlie Bisharat (well, you'll hear him with Strunz and Farah), or Miri ben-Ari playing it as the lead instrument. You'll hear Waymon Tisdale as leader on bass but for some reason not Marcus Miller, John Patittucci, or Nedra Wheeler (who performed at the 2001 Expo). Are they saying that flutes, violins, and basses are not played because they are not considered one of the 'beautiful instruments'?

In 2002, the extraordinarily talented and versatile violinist Karen Briggs performed at the Jazzteenth event in Baldwin Hills in 2002. Briggs toured with Yanni for several years as a featured soloist. In Yanni's Live at the Acropolis concert, Briggs did a solo on a track called "The Rain Must Fall". So passionate, so beautiful was her solo that it actually brought tears to my eyes. After the Jazzteenth concert a woman came up to Karen and asked her where she could buy her music and why Briggs' music was not heard on the radio. Briggs told her that she called the Smooth Jazz station herself. She replied, "They told me, 'we don't play violin music.” So a pop singer like Phil Collins can get airplay on a so-called Jazz radio station but a violinist that actually plays Jazz cannot? 

One reason people attend Jazz festivals like the Playboy Jazz Festival is to see the artists they hear on the radio. Ironically, in LA, you won't hear on radio many of the musicians who perform at the Playboy. That's because KTWV and KKJZ don't play their music, even though they are the official festival radio stations for the festival. Bela Fleck and the Flecktones, who first played at the Playboy in 1992, were so well received by the audience that they have been asked to come back and perform several times since. They'll be returning again this year. The group has been nominated for and won Grammys. Accolades pour in from critics the world over in praise of their music. But will you hear Bela Fleck and the Flecktones on the radio? Not in LA you won't. Why is that?

Something happened along the way. Jazz radio stations used to play the music that was happening right then as well as music from way back when. The music dictated what the station played. Good Jazz music got played, regardless of style, time period, or instrument it was played on. Jazz, by definition of the art form, remembers its roots but is interpreted by each musician in his or her own way. Different musicians, different interpretations, different styles. As a result, Jazz has always evolved. Now the script has been flipped. Now the stations dictate what gets played. They dictate the style and direction. And that ain't right. At this rate, Jazz as we know it will become extinct.

LA needs a real major market Jazz radio station. One that doesn't fake the funk. One that walks the talk. One that plays Jazz from EVERY decade. One that plays lesser-known artists as well as the cats who have been around the block a few times. One that includes ALL types of Jazz performed on ALL types of instruments. One that we Jazz lovers can listen to all day, all week, all year. A station that lives by the motto "Jazz is".

To comment, write Stan Thomas.

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Diane Watson Speaks at Roundtable

 Photos and story by Stan Thomas

Every Saturday morning from 10am to 11am, Earl Ofari Hutchinson hosts the Urban Policy Roundtable at the Lucy Florence Coffeehouse in Leimert Park, sponsored by the National Alliance for Positive Action. Last month, Congresswoman Diane Watson was the guest speaker. In a show of concern for the community, she brought many of her staff along. Her purpose was to bring the news from nation’s capitol to the community. Those who attended were also given an opportunity to ask questions.

The atmosphere was more like sitting in the living room than in a coffeehouse. It made for a very relaxed event. Both the lower level and loft were full to capacity, with latecomers overflowing to the outside tables.

Hutchinson introduced Congresswoman Watson and the roundtable got underway. Watson began by talking about local problems in our community such as men on the down low and how it is introducing AIDS into the heterosexual population by their actions, especially affecting women. She mentioned the recent killing of the owner of M&M Soul Food, making a point of highlighting the senselessness of the crime. She pointed out the fact that our youth are becoming increasingly violent. They would rather kill before sitting down to talk out their differences. To that end, Watson announced the start of a clinical program, to debut in June of this year, designed to help stop youth violence.

Watson then spoke about Iraq. She referred to the “treasonous” actions of the president concerning Iraq and national security. She laid out a timeline from the September 11, 2001 attacks up through the war in Iraq. In regards to the vote to give Bush the authority to declare war against Iraq, Watson said she did not find anything Iraq did that was actionable therefore voted against it. She urged the audience to seek the truth, to not believe everything they hear. In addition, she stated that this administration has single-handedly stirred the wrath and caused the loss of respect of more nations in the world than all other previous administrations combined.

One glaring point made during her talk was how we ended up in Iraq. If Osama bin Laden was responsible for the September 11th attacks, and the US is supposed to be fighting terrorism, how is it we are fighting a war in Iraq, have captured Saddam Hussein, yet bin Laden remains free? In laying out more facts and discrepancies about the situation in Iraq, Watson predicted there will be a civil war on or before June 30, the date the US is supposed to transfer power back to Iraq.

As Watson continued, she spoke out against a war that was “made for TV”, describing the Jessica Lynch story and Shoshana Johnson’s disparate treatment. It was obvious how strongly she felt about the topics. “Are we so arrogant” that we can immediately impose Western values on a country that has held Islamic beliefs for after over 6000 years? “Did anyone hear of a bidding process for the oil and rebuilding contracts in Iraq?” Those are just a few of the questions presented to the audience, then implored them to “speak up and speak out. Ask the tough questions.” Because we didn’t vote, the congresswoman said, we are in this situation.

The discussion turned to the recent Condoleeza Rice questioning by the September 11th commission. Watson said that Rice did a good job of defending the president. But Watson stated that Rice has admitted that her background is in Russian history. In discussing the infamous memo about a possible attack by bin Laden on American soil, Watson said someone who knows the CIA would have elevated the memo to the president and made sure action was taken. In a closing statement on the discussion about Rice, Watson feared that Condi might end up being made the scapegoat for September 11th.

Turning back to the issues directly facing the community, Watson stated that men on the DL are more of a threat than Saddam Hussein was. Veterans’ health care benefits are being cut again. Originally Bush pledged $14 billion for AIDS. Only $2.5 billion was allotted for in the budget. And speaking of the budget, Watson mentioned that the cost of the war was not figured into it; it is there as a supplement. But somehow it still has to be paid for.

The congresswoman wrapped up her speech and took questions from the audience. Among them were concerns about the No Child Left Behind act. In response, Watson stated that NCLB is “an unfunded mandate.” The National Black Caucus made a budget, which took NCLB into account. The Department of Healthcare and education is where the budget should be directed. (Note: This Washington Post article gives an idea of what affect NCLB has on schools.)

Earlier Watson mentioned “connecting the dots” as a way of determining what’s really going on with this administration. An audience member asked, “why can’t people connect the dots?” To which Watson replied that the people do not have and are not getting the right information.

A lady from the audience asked how we can convince the youth that the ballot box still works. Watson replied that they need the opportunity to get the message. They need community involvement.

Ms. Watson admitted she supported Haiti. But whereas we are spending billions in Iraq, we are spending nothing in Haiti. In fact, we routinely turn away Haitian refugees.

The roundtable drew to a close as Mr. Hutchinson thanked Councilwoman Watson for coming to talk to us. He mentioned that she is very accessible when she is here in her Los Angeles office while the Congress is not in session. Watson left a “Guide to Constituent Services” which include all the areas in which she and her staff can provide assistance, as well as how to contact her.

www.ExpoUpdate.com

 

Fallen Idol

 Story by: Stan Thomas

 American Idol may have just voted itself out of the competition. In the most unbelievable turn of events since Amy Adams was voted off March 31st, Jennifer Hudson fell victim to the voters' whims April 21st. Meanwhile, the cute "nice guy" John Stevens, with his one-dimensional, fifty-years-behind-his-time singing style, remained in the hunt. How this could have happened has been the subject of many outraged phone calls, discussions, chats, and e-mails.

America has taken what was designed to be the country's greatest talent competition - one in which the best, most gifted singer is supposed to emerge victorious - and turned it into a popularity contest. That said, it's a wonder why the geeky but wildly popular William Hung isn't still in the running. That may explain why Stevens is still a finalist. (Note: John Stevens was voted off on April 28th.)

 All sorts of explanations for this shocking development have been floated. Charges of racism - which unfortunately always accompany high-profile events like this - have been leveled. Allegations of a corporate fix have been surmised. A splitting of the Black vote scenario has been proffered. (However, George Huff is still in and consistently garners a large number of votes). A power outage in the Midwest, where Jennifer hails from, has been blamed for Hudson's low vote count. But the real culprit may be that America assumed that Hudson, along with Fantasia Barrino and LaToya London would be ‘safe’ and advance anyway, so they neglected to vote.

In LaToya London's case, her fan base may be a factor. LaToya's fan base knows sister can sing, but has gotten bored with the show itself and have not lit up the phone lines like Stevens' fans. At this rate, LaToya will end up being eliminated within the next two weeks. And that would be a crime. Apparently fans in Oakland, London's own hometown, could be partly to blame.

Hudson, along with Fantasia Barrino and LaToya London, have become known as the Three Divas. They consistently dominate the competition with their vocal abilities. Praise and compliments from the judges abound after their performances. Yet they constantly finish in or near the bottom in the voting. It's obvious something is wrong when the show's judges and host Ryan Seacrest not only agree that Hudson should not have been eliminated, but voice their displeasure at her dismissal. The press has weighed in along the same lines. Even mega-star Elton John, whose music the contestants performed the previous week, said in a news conference that he found the results to be "incredibly racist." (For those who missed that show, John Stevens attempted to sing Elton John's hit "Crocodile Rock", failed miserably, and yet fared better in the voting than 'the divas'.)

AI's voting system is flawed. The current system allows repeated voting in what amounts to stuffing the ballot box. What appears to be happening is that groupies with text-enabled cell phones have taken over the voting. In retrospect, something like this was bound to take place. Once the fate of the contestants transfers from the judges to the viewers (which happens after the final 12 contestants are selected), anything can happen. And something certainly happened April 21st. AI may have had a brilliant idea when it encouraged viewers to participate and decide the outcome of the show, resulting, hopefully, in the most talented singer winning the competition. But their plans have been circumvented. The current system needs to be revamped if the show is to survive.

AI’s paradoxical situation is very similar to the 1936 presidential race where the magazine The Literary Digest predicted Alf Landon would win. In one of history’s most infamous wrong predictions, Franklin Delano Roosevelt was re-elected by a landslide with 62% of the vote. The Digest made the mistake of surveying only those with telephones and cars; in Depression-era 1936, not many could afford such luxuries.

Idol is the top-rated show in its time slot. Watched by some 25 million viewers each week, rising to nearly 40 millions during the show's finale, it records about 20 million votes. Although American Idol is seen by millions of viewers across a wide demographic, it appears that only cell-phone-addicted kids with the time and inclination to vote repeatedly for two hours are controlling the outcome. These kids wouldn't know talent if it hit them in the face. Actually, talent is already hitting them in the face every Tuesday night at 8:00pm. But that doesn’t matter to them. What matters is that John Stevens is cute.

 Suppose John Stevens does win. Would you pay to see him in concert? How many CDs would he sell? Do you think he could fill a concert hall or arena? Do you think the promoters and producers would ever recoup their investment in Stevens? Would American Idol live to see its fourth season? This is not to dis Stevens; he's only sixteen years young, and as judge Simon Cowell said last week, he has "taken every bullet" thrown at him "like a man." Stevens does have a decent voice, but he would be more at home crooning away in a small, smoky nightclub than on stage representing the best amateur singers in the country.

 If the AI competition continues down its present path where talent takes a back seat to popularity, the judges ought to resign in protest and start their own company. Their first artists should be London, Hudson, and Barrino. Let AI become a popularity contest. Jackson, Abdul, and Cowell will get the real talent. (Randy, Paula, Simon, if you're reading this, remember where you got the idea.)

 Above: Jennifer Hudson photo from American Idol web site 

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Rwanda: Lest We Forget... A Third Time 

Massacre photo from Gendercide Watch

Story by: Stan Thomas 

April 7, 2004 marked the 10-year anniversary of the slaughter of 800,000 lives in Rwanda. Incredibly, the genocide took only 100 days. Just as incredible was the seeming indifference displayed by the rest of the world while the massacre was going on. That many people randomly asked say they never heard of the bloodbath underscores the point. 

On April 6, 1994, then-president Juvenal Habyarimana and neighboring Burundi's President Cyprien Ntaryamira were killed in a rocket attack on their plane just after it took off. The fallout over the downing of their plane over Kigali swiftly erupted into "a frenzy of ethnic butchery." During the three months after Habyarimana's death, an orgy of violence between his fellow Hutu tribesmen and the Tutsis ensued, resulting in the deaths of around 800,000 people, mostly Tutsi. 

During the 100-day bloodletting, an average of 8,000 people were slaughtered per day, almost 6 killed every minute, one every 11 seconds. If this article were written during the time of the killings, 20 people would have been butchered in the time it took you to read this article. 800,000 people is just over 1/10th of the entire population of Rwanda. Tutsis comprise only 15% of population. Had the bloodbath continued unabated for two more months, the Tutsis would have been completely exterminated. Fortunately, they were able to finally fight off the rebels. 

800,00 people is more then the population of the entire state of Delaware. It is more people than the entire country of Qatar. Contrast the killing of 800,000 people in 100 days to the Holocaust where 6 million Jews were killed over the 12 years between 1933 and 1945. At the rate of the butchery in Rwanda they would have reached this figure in only two years. Over 12 years, if the population of Rwanda were large enough, this would have amounted to 35,040,000 Tutsis and moderate Hutus massacred. Scholars have come to the conclusion that "the killers - mostly civilians armed with machetes, garden hoes and spiked clubs and spurred on by hate propaganda -- did their work five times faster than the gas chambers used by the Nazis in World War II." Aside from the perpetrators of the carnage being brought to trial, surprisingly, two nuns are also being tried for war crimes for their actions during the killings. 

The movie Tears of the Sun, though supposedly a fictionalization of events in Nigeria, seems to have drawn upon the Rwandan massacre for the story line. To get an idea of what it may have been like to be in Rwanda 10 years ago, it is highly recommended that you go rent or buy this movie. 

This was not the first slaughter of Batutsi. 1959 began what would become almost constant massacres in Rwanda. In every decade since, there have been regular, mass killings of Batutsi. (Under Belgian colonial rule, which ended in 1962, the definition of who was Batutsi and who was Bahutu was changed from ethnicity to a system based on property ownership; people who owned 10 cows or more were classified as Batutsi, less than 10 cows, Bahutu. They also shortened the name from Batutsi and Bahutu to Tutsi and Hutu) 

Rwandan President Paul Kagame has repeatedly criticized the outside world for failing to step in and stop the 100-day massacre. Ironically, some blame Kagame himself for the bloodbath.   

Rwandans, resentful that many Western countries deliberately did nothing to stop the genocide in 1994, say they were once again snubbing Rwanda by sending officials other than top-ranking representatives to the commemoration. The only Western leader to attend the burial ceremony was Belgian Prime Minister Guy Verhofstadt. Only junior officers from other major Western powers are being dispatched to Rwanda; Pierre Richard Prosper, the US roving ambassador for war crimes, and Junior Foreign Minister Renaud Muselier from France are going. EUpolitix.com says Rwandan leaders have been angered by the absence of prominent Western leaders at the memorial service. Kagame lit an eternal flame during the observance while 15 coffins were buried in a nearby mass grave. Other than the ceremonies scheduled to occur at UN offices in major UN centers like Geneva and Nairobi, and at Rwandan embassies, the observation did not appear to be recognized in other parts of the world. 

April 7 has been designated by the United Nations as an "International Day of Reflection" for Rwanda. It has asked other nations to observe memorial silences in support and sympathy. A few newspapers have mentioned the anniversary. One of the networks did a special on it. The Wave Newspaper has been running a series of articles, complete with photos from Rwanda, by a writer who is in Rwanda. 

Since the horrible atrocities committed 10 years ago, Rwanda has made progress. Some 3 million refugees who fled the country during and immediately after the bloodbath have been repatriated. Systems are in place where communities are involved in decision making. All Rwandans will have the opportunity to have input for the new constitution being drafted. And progress continues to be made. 

Our indifference is appalling. Judging by the quick US response to the situation in Haiti, it begs the question as to why we sat idly by and watched almost 1 million lives butchered. It is unconscionable how we could stand by and allow atrocities like this to happen. The message written in English and French on the purple banners (in Rwanda, purple is the color of mourning) that were hung over the memorial declared it best: "Never again".

Editor's Note:  Many may take offense to our publication of the photo above but we gladly published it to be a reminder that these were human beings, just like us, caught up in a political situation and manipulated to the point of death. We felt the photo was necessary to underscore Stan's story.

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The Next American Idol

Story by Stan Thomas

Photo from American Idol web site 

 

They may as well can the rest of the 2004 season of American Idol. It's over. Done. Stick a fork in it. It's in the refrigerator, the door is closed, and the Jell-O’s jigglin'. The next American Idol will be LaToya London.

The 25-year-old Oakland, California, resident turned the contest upside-down in February when she sang for her audition. LaToya delivered ('belted out' is a better description) her version of "All By Myself" with power, confidence, and control. She tore it up! Unfortunately (or fortunately), in the process, she raised the bar a couple of notches for future contestants. After watching her performance, I was silent for a couple of seconds. Then I remarked to my wife, "they may as well stop the whole show right now."  Judges Randy Jackson and Paula Abdul both gave her a standing ovation. "That's what I'm talkin' about," Jackson said emphatically. "Unbelievable," said Abdul. Even tough customer Simon Cowell called her performance "outstanding." Jackson went on to tell America that this is the caliber of artist the show is looking for. His praise didn't end there. According to the American Idol web site, he then told Ms. London, "You were the best that I've heard since we started this thing." And this was just during the auditions! It’s safe to say Jackson’s comments apply to previous AI winners Kelly Clarkson and Ruben Studdard, too.

Simon, Randy, and Paula know a good performance when they see one. Between them, they have been responsible for the sales of over 250 million records, close to one hundred top 30 hits, and the successful careers of many artists. So accolades such as those that were lavished upon LaToya by these judges are not to be taken lightly.

Being old school to my heart, I have no doubt that the majority of the best music came out back in the day. Most of today's artists cannot hold a candle to the likes of Aretha Franklin, Anita Baker, Gladys Knight, or Chaka Khan. But LaToya sure can. Those ladies have - in addition to their obvious talent - staying power. That bodes well for LaToya. Good singing is good singing this year, next year, last year, next decade, or 20 years ago. That kind of talent never goes out of style. I only hope when LaToya gets her recording contract that her handlers recognize her abilities as such, not as a quick payday. I hope they don't create a one-hit wonder, a flash-in-the-pan that fizzles out and fades away into obscurity. That would be an incredible and inexcusable waste of a wonderful gift. If Ms. London’s future company takes the time to develop and cultivate her skills, we will be graced with her music for decades to come. Oh, did I mention LaToya plays piano?

Ms. London's performance in the recent Country competition was another strong one. All but two of the other contestants had trouble with the Country style, but London excelled. Her selection, Garth Brooks' "Ain't Goin' Down 'Til the Sun Comes Up" was an upbeat number with rapid-fire lyrics - a difficult song to sing. Not only did she effortlessly knock it down, but she connected with the audience immediately. They ate it up. Host Ryan Seacrest noted that he saw Simon do something he'd never seen him do before; clap along with a performance. When LaToya finished, the audience showed its appreciation by giving her a standing ovation. Ms. London certainly makes one hard act to follow. I half expected LaToya to turn her head, let the mike fall from her hand, and stride offstage. If this had been a baseball game, LaToya would be in a slow trot rounding first, heading for second, watching the curveball ball she just knocked out of the ballpark clear the center field bleachers. Motown Night happens Tuesday March 30th. I can't wait to see what LaToya will do with this part of the competition!

Judge Simon Cowell seems to be making a lot of comparisons of the other contestants to LaToya. In a way, he's telling the other contestants, "this is what we are expecting from an American Idol." It's almost as if Cowell made up his mind who the next American Idol will be back when Ms. London first auditioned. Now he appears to be just going through the formalities until winner is crowned. But he and the other judges don't get to make the final decision; the show's viewers do. Let's hope America agrees with the judges.

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A Passion for Truth

 Commentary by Stan Thomas

 Photo copyright 2003 Icon Distribution, Inc.

 

Mel Gibson has gone out on a limb with his movie “The Passion of the Christ”, infuriating colleagues while earning the respect of others. Several movie review sites have quotes posted by some who say they will never work with Mr. Gibson again simply because he has made "Passion." Indeed, Gibson knew this movie could end his career. In Hollywood terms, he may never work in this town again. Taking all this into account, one can only conclude that Gibson's own career was not a priority when he decided to make this film. Obviously the story he wanted to tell was more important. And he used his own money to do it.

Criticism of the film is widespread and rampant. The Anti-Defamation League has concerns that the movie may fuel anti-Semitism. They say that it unfairly portrays the Jews as a bloodthirsty mob bent on killing Jesus. Other critics say it dwells too much on the violence. One went so far as to call the film “a 126-minute bloodbath.” Another mentioned that Gibson used the movie as a vehicle to quell his personal demons. Critics also say there is not a lot of substance. They say there are no scenes about the teachings of Jesus. Nothing about the life of Jesus or his interaction with and influence on those around him. Theology is absent from “Passion”. Nor is there anything in the film that shows what incensed the Jews so much that they wanted to crucify Jesus.

Claims of media manipulation have circulated throughout the television and newspaper review sections. The following is a quote which best describes this accusation:

Although he has been insistent that he works with and socializes with Jews, and that there is nothing anti-Semitic about the film, he declined to show the film to any but the most ideologically friendly Jews - people like Rabbi Daniel Lapin and movie critic Michael Medved. Perhaps in this whole story nothing has been more intentionally manipulative than the agreements put before the early viewers. As ADL national director Abraham Foxman, who recently snuck into a showing for evangelical ministers in Orlando, reported to the New York Times January 23, viewers were asked to sign a pledge agreeing to keep confidential their "exposure, knowledge and opinions of the film" while at the same time adding that "pastors and church leaders are free to speak out in support of the movie and your opinions resulting from today’s exposure to this project and its producer."

A well-known local minister articulated another frequent criticism of the movie when he stated that there was nothing in the film to make you bond to the main character. True, the movie assumes you already know the story. But for those who don’t, there is no character development. Therefore Gibson lost an opportunity to make a more personal impact on those viewers.

Message boards such as the one on IMDB are alive with postings from people who enjoyed the movie as well as those who disliked it. Some, not surprisingly, are using the boards as their personal soapbox to either evangelize or criticize. Most interesting are the responses from atheists.

What the critics seem to miss is that this is one man's interpretation of what Jesus endured during his last 12 hours upon the earth. In that brief period of time there was not much Jesus could do. Only through flashbacks are viewers given a window into Jesus’ life before his arrest. The movie follows the Bible, owing much to the Gospels of Matthew, Luke and John. Gibson did take some artistic license, but not very much. There was a quick cameo of Gibson himself driving the spike into Jesus' hand. This is similar to what other artists depicting the crucifixion commonly do- they put themselves in the scene, thus acknowledging their responsibility for the crucifixion.  Rembrandt did it in his 1633 painting entitled “The Raising of the Cross.” The portrayal of Satan in the person of a brow-less woman was another liberty Gibson took.

Claims of the movie’s anti-Semitism are unfounded. Was there that kind of outrage at “Jesus Christ, Superstar”? If this movie were anti-Semitic, then could the Bible be considered anti-Semitic as well? 

Gibson’s desire to make the film as authentic as possible led to his decision to use Aramaic and Latin, languages of the day, with English subtitles. The violence many have brought up is actually rather factual. The Gospels reference the treatment Jesus faced after his arrest. Jesus was mocked, spat upon, slapped and beaten by the crowd. He was hit repeatedly and tauntingly asked, “prophesy (tell us), who hit you?” This was before the guards began their beatings of him. Even the scourging the Romans subjected Jesus to after he was whipped with rods is accurate. Then, of course, there are the spikes driven through his hands and feet. Violent? Yes. Truthful? Absolutely. Difficult to watch? Positively. But this may have been Gibson’s intent.

Seeing this movie should put away some misconceptions about the Jesus the man. First of all, and most obvious, the story of crucifixion was not some sterile journey culminating in a painless attachment to a cross. Translations of the Bible through the years have ‘updated’ the word ‘scourged’ to become ‘punished’, making it sound as if Jesus was given a time-out instead of whipped with flesh-ripping implements of torture. Second, no skinny, scrawny individual could have survived the kind of punishment Jesus suffered during the hours between his arrest and his death. This is certainly not the wimp detractors make Jesus out to be when they mock his statement about turning the other cheek.

“The Passion of the Christ” is an extremely powerful movie. As mentioned earlier, it is admittedly very difficult to watch; it is not for the light-hearted. It is a thought-provoking piece and should lead to long discussions. In some people, the movie will inspire a change in their lives. In others it will force them to re-examine themselves and their commitment to their faith. Above all, “Passion” is a film no one will soon forget.

With all the discussion and criticism about "Passion", one thing has gone unmentioned: If Jesus did exist and he did die for the sins of the world, then today's Protestants and Catholics have seen graphically what their savior endured for them two thousand years ago. They have seen what was meant when Jesus said “Greater love hath no man than when he lays down his life for a friend.”  

 

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A Family Moves Forward

 by Stan Thomas

 

 The last 12 months have been rough on our family. My wife lost her grandmother. My dad lost both of his parents in a five month span. Just last week his uncle made the transition. Their love, their presence, and the sacrifices they made on our behalf while they were with us have richly blessed us. So we haven’t been mourning their loss so much as we have been celebrating their very long lives – our grandmothers were 90. My wife and I also realized that our parents and their siblings are now the elders of the family. No more Big Momma and Great-Granddaddy. No more Grandmomma and Granddaddy.

 The last 12 months have also been a cause for celebration in our family. Our third nephew, Kyree, was born in December. Our family continues to grow. Not only is the family growing through birth, it is growing by marriage. Two weeks ago, our own son got married at the young age of 21. I think I just aged 10 years.

 

My son Derrick and his new bride Januari were high school sweethearts so everyone knew a wedding was coming sooner or later. It just happened sooner rather than later.  It wasn’t too long ago that my wife and I were driving them around to Magic Mountain, Knott’s Berry Farm, or wherever their next date was. Then came the dreaded question: “Can I borrow the car?”  It wasn’t too long after that that Derrick got his own car and his own job. Where did the time go? During the reception, Derrick surprised us by publicly thanking us for being his “taxi”.

 

They did most of the wedding planning themselves. Family members helped with some of the details. From securing the church to booking the reception hall, Derrick and Januari made wise decisions and saved quite a bit of money. Even their choice of photographers saved them a ton of money. (OK, I confess: The photographer was yours truly). From my point of view as Johnny-on-the-spot-with-a-camera, they did a good job planning and carrying out the wedding. I must admit, though, I’ve shot a few weddings in my career but I was more nervous about shooting this one than any of the others.

In a way it felt kind of strange sitting on the sidelines while my son and his fiancée made plans for their wedding. “This is a life-long commitment you’re making here, son. Shouldn’t we be planning this for you? Don’t you need our help?” Realizing that they didn’t need very much of our help was difficult to accept while at the same time it was a proud moment realizing that they didn’t need much of our help. If they could accomplish this together…

The prayer that was said for Derrick and his new wife Januari was that they would grow old - together. My father-in-law echoed that prayer when he shared it with us during the rehearsal dinner. They have good role models in that area – Derrick’s maternal grandparents have been married 42 years, his paternal grandparents have been married 49 years. During the wedding reception speech, Derrick pledged his love for Januari. We pray that Derrick’s pledge will see them to their 50th, 60th, maybe even 75th anniversary.

We, as diligent parents, are always conscious of how we raise our kids. Time goes by so fast and before you know it, they’re leaving the nest. We can only hope that we trained them up in the way they should go. Derrick and Januari have spread their wings, flown the coop, and are beginning a new life together. And they go with our family’s blessing. The love Derrick and Januari have shown will remind us as their parents and grandparents what it’s really all about. And I think that this time it is us who will learn from the example they have set.

 

Stan Thomas is a writer, a photographer, a musician, a husband and father living in the Lancaster area.  

Story and photos copyright © Stan Thomas 2004. Comments, questions, suggestions? Contact him at: kanale90@aol.com

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A Neighborhood Memorial Evokes Memories of Dr. King’s Legacy

 Photo and story by Stan Thomas

A memorial is being built. A picture is placed on the ground, propped up by a makeshift cross. Candles, flowers, balloons, and sometimes stuffed animals are carefully placed around the site - usually on a sidewalk or side of the road. Friends and relatives gather to pay their respects at the place where a loved one was killed. Scenes like this are sadly becoming more and more common.

 

The memorial at the intersection of Stocker and Degnan in Leimert Park also honored one whose life was tragically cut short. The picture consisted of a huge black-and-white photo against a ‘matte’ of black plastic, ‘framed’ in a tall, strong, pine tree. No cross, but there were flowers, candles, and fruit. The memorial sat on the median strip. The difference is that this one honors Dr. Martin Luther King, Jr.

 

"Why not," I thought to myself when I first saw it. His life touched so many. It seemed proper that we take the memory of what Dr. King stood for, and bring it home to make a personal statement of what he meant to us. It impressed me that someone had taken the time to honor Dr. King in this way. It seemed to tell the world that Martin Luther King is about more than "I Have a Dream" and a day off work. I walked up to the memorial to photograph it and pay my respects, but was unprepared for the thoughts and feelings that would soon envelop me.

 

As I left, driving in my own little world, those feelings hit as I came over the hill at Stocker and La Brea. I suddenly became aware of the many ways Martin Luther King, Jr. and his legacy have touched my life.

 

My family on both my mother’s and father’s side is from Montgomery, and some of them were at ground zero when Dr. King organized and led the Montgomery Bus Boycott in December of 1955. Mom used to tell stories about the busses and how oftentimes the drivers would make you pay at the front door and get on at the back door. But sometimes they'd take off before you could get on. Fortunately, that never happened to her, but it did happen to many Blacks in Montgomery. Her descriptions were delivered with a hint of nostalgic humor - kind of like how we reminisce about the whippings we got as kids; funny now, but nary a smile was cracked then. She also told about how she walked over 5 miles to Alabama State University where she was a student at the time. Sometimes she and her classmates would get a ride. Back then it was common to accept rides from strangers. It was a time when Blacks stuck together and everyone looked out for each other. They did whatever they had to to get where they had to go and avoid taking the bus. Mom also attended mass meetings at different churches to discuss what was happening with the boycott and to discuss strategies. My mom and her younger sister boycotted. The rest of her siblings were out of state at the time so they were not involved. My father was overseas serving our country so he was not personally involved with the boycott, either. But his mother was. Dad told me that he used to watch the news on the television and listen to the news from back home. His older brothers were out of state at the time, but his two younger brothers were there.

 

During the recent strike by the MTA mechanics, I often wondered why the ridership did not respond with a strike of their own. If Dr. King were alive today, would he choose to boycott, or employ some other means of resolving the situation? Would he support the mechanics’ union, the MTA, or the bus riders? Would he even have considered it a cause worthy of his involvement? Our grocery store workers are still on strike after four months. Given Dr. King’s support of labor during his life, what would his response be today?

 

Just before Christmas last year, my grandmother - my father's mother - passed away. The funeral was held at Hutchinson Missionary Baptist Church, just a few blocks from the pastor's residence where Dr. King lived while he was pastor of Dexter Avenue Baptist Church. We stopped by there after the wake. To be able to make a physical connection between my grandmother's life and Dr. King was a humbling experience. She participated in the Montgomery Bus Boycott, too. As four of my grandmother’s five grandsons stood together on the lawn of the pastor’s residence, it became more evident that we do indeed stand on the shoulders of our ancestors. Dr. King sacrificed so my grandparents could be treated as human beings. My grandparents took that opportunity to make a better life for my parents and their siblings. My parents, aunts, and uncles sacrificed so that my sisters, cousins, and me could have a better life. Now I am responsible to make sure my children continue to have a better life. Yes, there is still work to be done; my kids have been exposed to some of the foolishness that still goes on today. But I believe Dr. King would be proud of how my offspring, the offspring of my parents and offspring of my parents’ parents have benefited from his involvement and dedication.

 

Our year 2000 family reunion was held in Rockville, Maryland. One of the events arranged for the weekend was a bus tour of nearby Washington, DC, with an emphasis on the Black history part of DC. The tour included time for walking around the monuments; which we did. My cousin and I walked up the steps of the Lincoln Memorial and looked out over the pool toward the Washington Monument. I remember thinking that 38 years ago Dr. King stood on these very same steps after the March on Washington and delivered his immortal “I Have a Dream” speech.

 

There were close to 100 of us in attendance at the reunion. We were able to choose any hotel we wanted to host the event. None of us had to be sneaked in through the back door. We had the means to either drive or buy a plane ticket to get to the reunion. We could, every one of us, hold our heads up high, look anyone in the eye and have a conversation with that person as equals. Quite an accomplishment considering less than 40 years ago, my family couldn’t eat or sleep in certain places, and watched as other Blacks had fire hoses and dogs turned on them because they dared to stand up for their rights.

 

Sometime in the late 80's I got into an argument with a brother named Jimmy on the Friday before the King holiday. Amongst brothers and sisters, you will always hear, "are you coming to work on Monday (King's birthday holiday)?" Jimmy asked me that same question. Since I have a job, I told him I was going to work to show my appreciation for the sacrifice and work King did. After all, King gave his life so that I and millions of other people of color could be treated better by society, which includes getting and holding a good job. Jimmy’s response was that I had sold out, that I could be bought for the right price - in this case, a paycheck. I asked him what he was doing. He said he was going to the Kingdom Day Parade. OK, well at least he was going to do something to commemorate Dr. King. So many of us use the holiday as an excuse not to go to work or school. Dr. King did not give his life so we could avoid our responsibility to society – or ourselves.

 

Last year on King's birthday, my friend Wilbur told me about a program on the radio about Dr. King. I learned later the program was a Lee Bailey production titled King: From Atlanta to the Mountaintop. Listening to the program sent chills up my spine. It was very well researched and very well done. But it sent chills up my spine because I was hearing actual words spoken by Dr. King and those around him. I was hearing some of his most famous speeches, and it was his voice delivering them. I was hearing about all the hatred against my people. And all the while I'm thinking, "My parents were there. They probably experienced a lot of that madness first hand."

 

Of course, not everyone appreciates the advancements we as a people have made as a direct result of the efforts of Dr. King. Some in society still see people through colored glasses. While looking for the text of Dr. King's "I Have a Dream" speech, I ran across http://www.martinlutherking.org/. At first glance, the URL, or web site address, appeared to be a relevant result of my search. But it is an intentional, deceptive effort to divert unsuspecting Internet users to the site. The group behind it is called Stormfront, a White Supremacist organization. On the site there is also a well-written, but very misguided tirade about why the King holiday should be repealed. It was written by the Creativity Movement. If time allows, perusing this site is recommended so you will know what ‘the other side’ is thinking. As the saying goes, “to be forewarned is to be forearmed.” (If you choose visit their site, be strongly advised that following the links to the sponsors of martinlutherking.org will lead to material that you may find, shall we politically correctly say, objectionable. Here’s a tip: do not follow any of the above links in this paragraph if you are at work. Wait until you get home. And then be sure to clear your browser cache and/or Temporary Internet Files afterward.)

 

Seeing how far we’ve come, I can’t help but wonder, “If Dr. King were alive today, what would he say?” What would he say about the state of our people? What would he say about our Black leadership? What would he say about the business leaders, clergy, teachers, college professors and students, doctors, lawyers, and bankers? What would he say about our garbage men, janitors, bricklayers, and cooks? What would he say about our athletes and artists? What would he say about our youth?

 

We still have far to go to reach the Promised Land Dr. King spoke of from the mountaintop. But we certainly have come a long way. We own establishments in places where we once could not even be served a meal. We sit on the boards of bus companies when not too long ago we had to ride in the back of the bus. We are homeowners in neighborhoods where we used to be nannies, chauffeurs, and gardeners. We run companies and corporations that once would not even dream of hiring Blacks to do anything more than mop the floor. We hold public office at city, state, and national levels where not long ago it literally took an act of congress in the form of the Voting Rights Act just so we could be allowed to vote.
 

After witnessing all the progress we as a people have made during my lifetime, I cannot take lightly what Dr. King has done. I am thankful that when I am on the job I am reviewed by my production, not by my pigmentation. I am thankful that my little Black children (well, they’re not so little anymore) have been able to play with other little white, and Asian, and Latino children, as well as kids from other nationalities, as though they were brothers and sisters. I am thankful that when dealing with people, for the most part I really am judged by the content of my character, not by the color of my skin.

 Back at the memorial on Stocker and Degnan, the candles, fittingly, were still burning brightly; just like Dr. King’s legacy.

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Media Memories Forget Minorities

 Story and Photos by Stan Thomas

Southlanders may never forget what happened at 4:31a.m.on January 17, 1994.  That is when the Northridge Earthquake struck, registering a massive 6.8 on the Richter scale. Most of us remember exactly what we were doing at the time. It is said to be the costliest natural disaster ever to hit the US. Each of us has a story to tell about how we dealt with the disaster.

Most have heard about Clarence Wayne Dean, the CHP officer who was on his way to work from Lancaster when he unknowingly drove his motorcycle off the collapsed freeway overpass in Newhall. We all saw the Northridge Meadows Apartments that pancaked on top of the lower level. Everyone saw the images from the campus of California State University at Northridge (CSUN) and the crumbled Northridge Fashion Center. Everyone heard about the 4 hour one-way commutes from the Antelope Valley into Los Angeles. A huge amount of media attention (and bonus money) was paid to the company CalTrans contracted to rebuild the 10 freeway around Fairfax and La Cienega. The media told dozens of stories like this, and featured interviews with victims of the quake; but they did not involve people of color.

MSNBC ran an article last month titled “Northridge Quake Anniversary – Looking back: Future Plans.” Reading it brings back memories of that fateful morning. Inside the article are links to several other interesting stories. But reading them exposes one glaring omission: the media paid virtually no attention to the damage suffered by largely African American and Latino areas. 

Susan Place and Christine Rodrigues of Cal State Chico presented a report to the International Geographical Union in Prague Czechoslovakia. Its title, “Media Construction of the Northridge Earthquake in English and Spanish Print Media in Los Angeles,” was attention grabbing. In their report, they stated that though the Crenshaw District suffered widespread damage, the area “did not receive any media coverage.”  They went on to say that their research found that the “Crenshaw District experienced the greatest loss of residential and commercial structures in any postal zip code area of Los Angeles, including any of the zip codes in Northridge itself.” That statement speaks volumes.

 Looking around Los Angeles today, you can hardly tell there ever was an earthquake, especially one of the size that hit 10 years ago. Freeways, businesses, schools, and homes have been repaired or rebuilt. And though the media has forgotten, the Crenshaw District remembers; and its residents, too, have rebuilt.


The Expo At 15

A look back; story and photo by Stan Thomas

The Los Angeles Black Business Expo and Trade Show is 15 years old! As one of the photography team, I have had the distinct pleasure of watching the Expo grow during all 13 of its years at the Los Angeles Convention Center. We have come a long way through all sorts of tribulations, financial headaches, a riot, deaths of Expo staff and immediate family, and Sept. 11, but we are still here. And as Antoine Fisher said we're "still standing."

Before continuing with a retrospective like this, I would be most remiss if I did not acknowledge Expo founder Barbara Lindsey and what she has meant to us. It was her vision that conceived the idea of an exposition dedicated to showcasing Black entrepreneurs. It was her desire to see her dream fulfilled that gave birth to the Expo in 1989 at the Century Plaza Hotel. It was her kind heart and insight that provided me the chance to photograph the Expo way back in 1991 when it first moved to the Convention Center. Myself and many, many others owe their start and deep gratitude to Barbara Lindsey.

One of the many things about the Expo that gives me great pleasure is seeing the 'Expo babies' grow up. Karlyn Webb now has her own promotion business. Two of Isidra Person-Lynn's sons started out as runners with the Expo. Jarim now has his own business, and So has been working the stage. (See the Expo Update archives for a story on other 'Expo babies' that have gone on to start their own businesses.) Ernestine Dixon's daughter Christy has graduated from University of the Pacific. Barbara Lindsey's own daughter does promotions.

Each year I look forward to seeing some familiar exhibitor faces, and meeting new ones. I also enjoy seeing long-time exhibitors and seeing how they have evolved over the years like Billy Chase, now of Blinds 2000, and Craig Hart of Omega Group. Often I wonder what has happened to some of the earlier exhibitors. LeGrand Clegg won the Best Booth contest several years back. What is he doing now? He was and still is Compton City Attorney.

Networking is one of the major components of the Expo, so doing business with exhibitors is the natural thing to do. Bill Doucette of Doucette Printing does my business cards. Though the seed was planted 10 years ago, I finally bought a computer from past exhibitor Jan Vanderpool of Raintree Computers early in 2002. Corey Chapman of IMOC will manage my finances once my portfolio reaches a high enough level. I’ve also bought a Djimbe drum, and a $600 steak and seafood package for $300, all from Expo exhibitors. I first learned about Clean-N-Cut greens at the Expo and now buy them regularly at my local supermarket. Though it is a fond childhood memory, I won’t be picking near as many greens as I used to.

Darryl and Glenda Bryant of Totally Entertainment have been long-time exhibitors, too. They have been very involved in the Expo in many ways. I have worked with them on several occasions and learned quite a bit. They are both excellent and enthusiastic teachers. As far as networking, Darryl refers to the Expo as the Los Angeles Black Business Expo and Hook-Up. Just ask him why.

Some exhibitors are a true source of inspiration. Their first business didn't make it but they didn’t give up. They know the Expo is the place to network and promote their business, so they come back with a different company. Exhibitors that come to mind are Valiant Robinson of Ooh Factor and Saundra Nelson, formerly of Labels Unlimited to You.

The Expo has always presents seminars and conferences. I wish more people would attend them. Every one that I have been to has offered lots of useful information that you don't or can't get anywhere else. The seminars give you direct access to the movers and shakers in your field of interest. You can talk to the people who have been there and done that. And they are happy to give you advice.

As you well know, there is plenty to see and do at the Expo. The Food court is a relatively new but extremely popular addition at the Expo. I finally got to eat at Shabazz last year. Couldn't get near it before because the long lines of eager customers. One of my favorite parts of the Expo is the West Coast Music Festival. Banks Epps and Snead are perennial favorites. I enjoy watching them and other local groups perform. To me, the West Coast Gospel festival is like 'going to church'. I enjoy the praise and seeing all the new groups. Last year, Varetta Heidelberg captivated me. She is the perfect example of what Gospel Jazz is. Of course the highlight of the weekend is the West Coast Fashion Show. Admittedly, I don't understand some of the fashions, but I love shooting it. And I’m glad we have Mikel Kilgore’s Cyberstyle to educate me.

The Expo web site, now designed and maintained by James Rankin of Light, Space, and Time, didn't always look this good. Isidra and I had some ideas about a site we were going to build ourselves on AOL. Keep in mind that at that time web design was not one of our strong points. Then we met James at an Expo network reception. In December of 1997 the three of us got together for lunch at Numero Uno. The rest, as they say, is history.

Another exciting thing about the Expo is seeing the birth and growth of the Expo Update. The Expo Update as you see it now has undergone several changes since its inception. Editor Isidra Person-Lynn, ever the tireless one, has told the story of how the Update came to be. Most of what you see here is put together single-handedly every week by Isidra, with contributions coming in from Expo executive director Harold Hambrick, exhibitors, sponsors, media partners, Expo photographers, and herself. Somehow she manages to do the Update and PR for the Expo, be a wife and mother, and run her own PR company. Another of the changes the Expo Update has undergone is the new monthly format starting with this issue.

 As a photographer, I get to experience the Expo twice; once while shooting, and again when editing the photos. Often times an exhibitor will ask me about a picture I took of them the day before and I will not remember taking it. But I will find it while editing. I enjoy finding that special candid moment when exhibitors and clients find something to laugh about, seeing children with their faces painted, families, new and interesting booth displays, and staking out a spot on the crowded Expo floor to wait for that perfect shot; and having it happen while the camera is up to my eye and ready to shoot. If you haven’t already, check out the photos from the 2003 Expo.

 After 13 years of shooting for the Expo, I have seen quite a bit. So it is through those experiences I offer these tips to exhibitors: 1) don’t put flyers on cars in the parking lot. If I met you already inside, I don't want to see your flyer on my car when I leave. It leaves a bad impression. 2) Always have business cards. If you run out, ok, but make sure you bring them. 3) Don't eat in your booth. Expo staff will tell you that in the pre-Expo workshops but you'd be surprised how many people still do it. 4) Always have your booth staffed, don't leave it unattended. Unattended booths, especially those without large, full displays tend to collect discarded flyers, cards, and trash in general. 5) Watch for squatters. 6) Have your company name displayed prominently in your booth. If I take a picture of your group in your booth, it could end up in the paper or on the Internet. Which would you rather hear: “that's a nice group of people” or “that's a great shot of the XYZ company folks”? 7) Be prepared to conduct business all the while at the Expo. If your company sells products, be ready to make cash and/or credit card transactions. 8) Promote your seminars. Some actually have a zero turnout while others have standing-room only. 9) Follow up on your leads. You could meet hundreds, maybe thousands of potential customers. Each one you follow up on increases your chance of turning a potential customer into a sold customer. On the flip side, not following up when you say you will leaves a bad impression on potential customers.

 At the risk of sounding sentimental, I have to say that your Expo staff is great. Every year it amazes me how so few people can put on such a large event. I love working with each and every one of them. Every year I look forward with great anticipation to the Expo. When the Expo is over, if we look tired, that's because we are. But I'd bet each one of us would be willing to get up and do it all over again if we ran four days instead of 3. The Los Angeles Black Business Expo and Trade Show is a true labor of love.

 

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Chasing the Cheesecake Factory

 Story and photos by: Stan Thomas

Earlier this year in the Expo Update, I told you about the Chocolate Exhibit at the Natural History Museum. I also admitted that I am a proud chocoholic and have no plans to recover from it. Almost as strong as my weakness for chocolate is my enchantment with The Cheesecake Factory, an obsession that has launched a gastronomic quest to visit every Cheesecake Factory location in California.

It all started in 1980 during my college days at USC with the Beverly Hills restaurant, the very first Cheesecake Factory. Some friends came back to the apartment raving about a place called The Cheesecake Factory and said we just HAD to try it. Since then, this obsession has mushroomed into a love for everything about this place, from the decor, to the enormous portions of excellent food, to the staggering array of choices on the menu. In the 23 years I have been eating at the various Cheesecake Factory restaurants, I have never, ever had a bad meal. And oh those cheesecakes! 50 varieties of cheesecakes and other desserts in just about any flavor you can imagine. Each one a rich, creamy, tantalizing treat for your tastebuds. Those delectable dishes of delightful decadence dance day and night in my head.

Once I learned that the Cheesecake Factory was listed on the stock market, I thought about purchasing a few shares. Black Enterprise magazine often recommends investing in companies whose products or services you use. With a ticker symbol of CAKE, I knew I couldn't go wrong, but I still did my research anyway. It turns out that the Cheesecake Factory does not advertise; their popularity is from word of mouth and free publicity. Does their strategy work? Their restaurants are always busy any time of afternoon or night you go. And do you know anyone who has not heard of them? The sweet reward of putting my money where my mouth is, is that stock has risen steadily since I started investing.

My quest to visit every California restaurant began one day almost three years ago while looking around the Cheesecake Factory's locations page on their web site. It was then that I realized that I had been to almost half of their restaurants, which at the time was only 10. (Since then, five more California restaurants have been opened.) It dawned on me that my travels and errands take me near many of the remaining locations. Last year, for example, after attending the Old Pasadena Jazz Festival, I walked a short 3 blocks to the Pasadena restaurant for dessert.

Of the 15 California restaurants – 17 if you count the Grand Lux Cafe in the Beverly Center, and the bakery outlet in the Ontario Mills Mall - my favorite is the one in San Francisco. It sits on the 8th floor atop the Macys building in famous Union Square with an outdoor patio that overlooks the skyscrapers of the city. The view from there is breathtaking, especially at night. My ‘home’ Cheesecake Factory is the Marina Del Rey restaurant. This one has been the site for dates, after-work drinks, spontaneous gotta-have-cheesecake runs after dinner or a movie on the other side of town, and a spur-of-the-moment stop while giving out-of-state family members a tour of Los Angeles. But the Beverly Hills restaurant will always have a special spot in my heart.

So it was with no surprise that I found myself on a flight to the Bay Area last weekend to dine at the last two locations I hadn't yet visited; the San Jose restaurant - actually located in Santa Clara - and the South San Jose restaurant. As I write this, I am finishing the leftovers from my meal of Chino-Latino steak; one of the newer offerings on their ever-evolving menu. They take slices of skirt steak - the kind used for fajitas - marinate it in Asian flavorings, grill it and serve it with rice, grilled red onions, and tomatoes. For dessert I had an item created especially for their 25th anniversary; the Godiva Chocolate Cheesecake, made with generous amounts of real Godiva chocolate. Of the Godiva Chocolate Cheesecake, Cheesecake Factory founder David Overton says, "[t]his just might be the finest cheesecake we've ever created." It was very good.

Having the Godiva cheesecake for dessert was symbolic in other ways. As I said, it was created for their 25th anniversary. This autumn marks the 23rd anniversary of meeting my college friend, Rhonda (not her real name since I didn't ask her beforehand if I could use her name), fellow investor in and lover of the Cheesecake Factory. She joined me at the South San Jose restaurant. That was her Giant Brownie Ice Cream Sandwich in the photo. And as dessert signals the end of a meal, the visit to the South San Jose location, opened just last month, marked the accomplishment of my scrumptious mission.

And so the latest chapter in my quintessential Cheesecake Factory quest comes to a delicious close. But I look forward to continuing the savory journey. They plan to open two more restaurants in northern California; one in Palo Alto and one in Sacramento. As this tasty tale endures, you can bet you'll eventually see me there, too.

Hungry for cheesecake now? Here is a recipe from our Graphic Designer Rene Cross Washington


Fantasia Cheesecake

Yield: 1 9-inch cake

 Graham Cracker Crust

 1-cup graham cracker crumbs                                   4 tablespoons butter or margarine

1-tablespoon sugar

 

Blend crumbs, sugar and butter well. Press into a deep 9-inch cake pan (or a 9-inch spring form pan) well coated with melted butter.

 

Filling

 4 packages (8 ounces each)                      1/8 teaspoon salt

cream cheese, softened                              1/2 teaspoon lemon extract

2 cups sugar                                                   4 eggs

                                                                          1/4-teaspoon vanilla extract

     Mix cheese, sugar, salt and lemon extract to blend well. Add eggs, one at a time, beating after each addition until smooth. Do not over beat. Pour into crust-lined pan. Bake at 350 F for 55 minutes.

     Cool n a rack until cold. When cold, run a knife around the outside edge of the cake and tap cake in pan to loosen crust. Put a cutting board that covers the complete cake on top of the cake. Turn upside-down and carefully remove pan. Put serving plate over cake and reverse cake to plate. Cover with sour cream topping.

NOTE: If spring form pan is used, follow those directions for removing cake from pan.

 Sour Cream Topping

 1-cup dairy sour cream                                  Fresh fruit or fruit pie filling,

2 tablespoons sugar                                            if desired

                                                                        Whipped cream, if desired

      Mix sour cream and sugar and spoon over cake. If desired, decorate top with slices of fresh fruit such as kiwi, oranges or peaches. Or spoon cherry or pineapple pie filling over top. Add whipped cream, as desired. Refrigerate cake.

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After the Firestorm 

Story and photos by Stan Thomas

Click photos to enlarge

 The worst fires California has ever seen are finally out. The last two weekends I had occasion to drive down to Ontario and saw the effects of the Old Fire and Grand Prix Fire, which ravaged the San Bernardino area. The smell of smoke still hung in the air days after the fires had been put out. From Interstate 15 you could see the charred mountains and hillsides. You could see where the Old Fire had jumped the highway and several roads along the way. You could see the homes, businesses, and other structures the firefighters were able to save. The fire burned right up to the walls of some places. You could see the scorched earth that stretched for miles. You see could what many residents described as desolate moonscapes (see photo).

As authorities took stock after the infernos, the numbers became mind-boggling: over 750,00 acres burned - about the size of the entire state of Rhode Island, almost 3600 homes lost, 22 deaths directly related to the fire including one firefighter, and untold numbers of wildlife perished. On top of that, many family farms suffered losses from which they will not be able to recover. These family farms put produce on our tables. Twelve fires raged through our state during the last month (the link here records ten of them.) Not surprisingly, the insurance industry will post a huge loss; expect premiums to go up about 8% in 2004.

At one point five fires were burning in Southern California alone. Investigators say that most of them were caused by arson, the Cedar Fire by a lost hiker using a signal flare. To those keeping tracking the events on the news it seemed unreal, as though half of our state was on fire. To those who were in the path of those fires, it was an all-too-real nightmare.

Tom, a friend of mine who lives in Orange County, said that his car and home were under about a quarter of an inch of ash. Several friends of mine who live in San Diego were told to stay home for two days because the office where they worked was closed down due to the fires. Another friend who lives in Hesperia was actually evacuated. She had to leave work early and go get her son. Her home was spared.

I saw the wall of flames from the Simi Valley fire as it crested a hillside. Heavily populated cities of Valencia and Santa Clarita lay in its path - until the weather changed. Driving north up the Antelope Valley Freeway that night, the ash from that fire fell like snow. It swirled around on the ground, driven by the wind of the passing cars. And the smell of burning wood was thick in the air.

For several days over most of the greater Los Angeles Basin the sky was gray with ash, the sun blocked out. It reminded me of the movie “Reign of Fire”. The sun – the times when you could see it - and surrounding sky ranged from an ugly shade of yellow to pink to a beautiful orange.

Many African-Americans lost homes or were displaced by the disaster. Our Native American brothers and sisters suffered. Our friends at Black Voice News were affected. Here in the Expo Update, we ran a first-hand account from Wendy Williams of Golden State Life Insurance, who was evacuated when the Simi Valley fire raged near her home.

The Ukiah Daily Journal offers some suggestions on how to prevent or at least minimize property loss in the next fire. Warnings about a conflagration of this magnitude were published a long time before these fires broke out. They were either ignored or fought viciously. And now a growing number of people are starting to blame environmentalists for their opposition to clearing the overgrowth and dead trees which, ironically, became an enormous source of fuel for the firestorms.

For those of you who did not see the images of the fires on television, here is a link to some spectacular photos of the Old Fire from the Crest Forest Fire District. Incredibly, four other fires like this one were burning simultaneously throughout Southern California. We owe the firefighters much gratitude for their efforts. Many times it must have seemed like an impossible task. And the timely rain was a true blessing.

I am thankful that we are still around and have the means to read this. Others were not so lucky.

California has been through several devastating disasters in its time. We have seen our state bounce back from floods, earthquakes, and other fires. We will get through this one, too. In some places, the re-growth has already started.

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IHOP Tripped Up

Photo and story by Stan Thomas

Last Wednesday morning, I was driving up Stocker St. from Crenshaw Blvd. While stopped at the light at Stocker and Victoria, I watched a couple walk from the Baldwin Hills-Crenshaw Plaza parking lot around to the International House of Pancakes, presumably for breakfast. They tried to open the doors and were visibly surprised to find them locked and barred. It was then that they saw the placard that was taped to the door.

Turns out our neighborhood IHOP had been temporarily shut down by the Department of Health. I’m sure some of you reading this have eaten there many times. My barber eats there frequently. I’ve had breakfast there a few times myself, and, like with Fatburger (see the 10-28-03 Expo Update article), have a few lasting memories. Breakfast at the Stocker IHOP was a stop during one of the best weekends of my life, sandwiched between the high school prom, all-night after-prom, a trip to Disneyland, a house party, and a picnic in the park. Ah, youth. But I digress.

The placard on IHOP’s door all but screamed that it was closed due to “cockroach infestation”.  I can just imagine the visual you have in your head right now. It was embarrassing enough that the Department of Health shut them down. Now everyone will know their business. According to the LA Public Health site, the sign "must remain posted at the main entrance until it is removed by the health inspector". In the majority of Public Health restaurant closures, the owner has two days to correct the violation.

A list of restaurant closures called the Food Facility Closure List is published quarterly by LA Public Health department. It is not uncommon for an establishment to be on this list one quarter and to get a ‘B’ or even ‘A’ rating the next. Even so, it is still disheartening, to say the least, when you see one of your favorite places on that list. In the case of the Stocker IHOP, by Friday afternoon it was open again, business as usual for the diners inside, and an ‘A’ rating placard posted on the door.

So what do the ratings mean and how does Public Health come up with them? A simple breakdown goes like this: At inspection time, every establishment starts off with a score of 100. Then points are deducted points for each violation. 90-100 is superior or ‘A’, 80-89 is good or ‘B’, 70-79 is acceptable or ‘C’, below 70 is poor. Rating cards are only issued for grades of A, B, or C. According to the Public Health site, IHOP #003, our Stocker branch, has been rated 3 times this year. It earned a ‘B’ rating February 5th, an ‘A’ rating February 14th, and another ‘A’ rating May 6th. You can follow the Food Facility Closure List link to see the rating your favorite restaurant achieved.

If you want a little light reading tonight, there is a list of guidelines called the Retail Food Inspection Guide. It lists the possible grades and violation codes used by the inspectors use when they visit a restaurant. It also shows how to do self-inspections if you want to make sure you're in compliance before the formal inspection.

We know roaches have been around forever and will probably outlive the human race. We’ve seen them in our homes, and in the homes of friends and relatives. But it’s a whole ‘nother story when we see them in restaurants. To be fair, even some of the fancy, swanky, trendy, upscale eating places get shut down on occasion. Our Stocker IHOP will take care of the problem (in fact they handled their business by Friday afternoon). But I would like to know, dear Update reader, how do you feel about returning to restaurants that you know were closed by the health department? Tell us your stories at info@expoupdate.com

 

 

 

The Skinny on Fatburger

Story and photo by Stan Thomas

When you're hungry and you want a real burger, where do you go? When a Whopper seems wimpy, a Big Mac is too small, Carl's won't cut it, and In-N-Out is out of the question, what do you do to satisfy your craving? Only one place fills the bill - and the stomach; Fatburger!

Fatburger has become an icon for good burgers 24 hours a day. Two reasons why their burgers are so good is because every burger is cooked when you order it, and they use only 100% USDA fresh (not frozen) ground beef. Just like founder Lovie Yancey did 51 years ago. And, of course, the best music from way back in the day always pours from its famed jukeboxes.

I have many fond memories of going to the Fatburger on La Cienaga and San Vicente. At 3:00 in the afternoon, driving visiting relatives to Fatburger in their brand new car; before my cousins even got to drive it. At 3:00 in the morning after the last show at the theater where I used to work. Treating the fellas who helped me move into my first apartment. And one crazy night when my then roommate, a couple of friends and I stopped in at Fats, as we used to call it. One friend, Jack, who is white, was approached by a brother demanding that he "come here." Jack stayed put. The brother repeated the demand, louder this time, "come here or get shot." Without missing beat, Jack replied, "a shot of what?" The brother broke into a big smile, put his arm around Jack, and we all ended up shooting the breeze until our orders were ready.

Some of those memories are more than 20 years old now. The Fatburger on the island at La Cienaga and San Vicente, anchoring Beverly Hills' famed Restaurant Row, has long since shut its order windows. And now the original Fatburger on Western Ave just north of Jefferson, founded at that spot by Lovie Yancey in 1952, is closed. What is happening to Fatburger?

In 2001, Earvin "Magic" Johnson bought a huge stake in the chain. He announced big plans for 100 new restaurants in several communities across the country. A year after the Lancaster Fatburger opened in 2000, I remember seeing the poster proclaiming that Magic was now on board. But the magic was to be short-lived.

In August of this year, Fatburger management, led by company president and CEO Keith Warlick, completed a buyout of outstanding shares, including Magic Johnson's shares. Why did the relationship end after only two years? Says Johnson, "My partnership team and the existing management had a difference of opinion regarding the strategic direction of the company." Johnson will still maintain a non-voting minority interest in the company. According to Warlick, the new direction "includes a significant expansion of franchise locations and infrastructure to support future growth." Those expansion plans include a new franchise in Tampa, Florida, which opens this week, and new restaurants coming soon in 17 other states.

There is a lot of newness about the 50-year-old chain. Admittedly, Fatburger has lost its urban focus. But new franchises will be opened in big cities and suburbs, as well as urban areas. The Tampa restaurant will be located in a food court. Plans for gift cards are in the very near future. So although this is not your father’s Fatburger, you’ll still be able to find a Fats when that burger urge hits you.

About the closing of the original Fatburger on Western: it's only temporary. It will be refurbished and reopened again. The re-opening date is not available yet. You didn't think the last great hamburger stand would forget its first restaurant, did you?

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She Came to Play! - Candy Dulfer Live at the Coach House

Story and photos by Stan Thomas

Dutch saxophone player Candy Dulfer came to the venerable Coach House in San Juan Capistrano Friday, the first stop on her eight-date US tour. Dulfer said it had been a while since she and her band Funky Stuff had been to the Coach House and they were glad to be back. The enthusiastic capacity crowd was very happy to have her back.

The Coach House, an older wooden building that appears to have been an actual coach house during mission times, has a warm, rustic aura about it. Once you walk in, the first thing you notice is the hundreds of autographed black-and-white 8x10 photographs adorning the walls, of artists who have played the Coach House at one time or another. Miles Davis, Kenny G, Joe Sample, B. B. King, and many others smiled back at us from their perches on the wall.

In order to get guaranteed seating, you had to make dinner reservations along with your ticket purchase. A good idea we found out, because at show time the place was packed. We arrived at 6:45pm, picked up the tickets from Will Call and walked in. As we were escorted to our table, we could almost hear the music of the artists who had played there before. About 30 rows of long tables were set up, all offering a great view of the stage. We happened to be just slightly to the left of center stage. We both ordered the special, which was Cajun chicken. It was, in a word, delicious! It's amazing how the staff was able to serve so many people so efficiently in such a short time. We finished the meal right at the 8:00 show time.

The opening band was a group called Cross Effect. They did a few cover tunes and some originals. Cross Effect did well with the cover tunes, but their originals needed a little more polish. Most of today’s bass players play 5 and 6-string basses. Cross Effect's bassist played a 7-string bass. It gave him a good range from low bass sounds to tenor sounds that you would hear Stanley Clark play. Earlier in the week, one of their original members lost his battle with leukemia, so they dedicated one of their tunes to him. The saxophonist showed off his chops, as did the guitarist. It would have been nice to see the keyboardist and bass player stretch out, too. After a short break while the stage was changed, came the moment the crowd eagerly awaited.

Funky Stuff took the stage to an enthusiastic welcome. They started playing a groove. Candy appeared from a door off stage right, walked through the audience and up on stage. Their opening number was the Average White Band classic "Pick Up The Pieces", which she recorded on her second CD titled Sax-A-Go-Go. When the tune ended, there was absolutely no doubt in anyone's mind that Candy and company had come to play. Myself, I was left breathless for a good five seconds before I could applaud. It was that good.

Dulfer, the daughter of Dutch tenor saxophone giant Hans Dulfer, was born into the Dutch Jazz scene. Papa Dulfer exposed her to the music of Sonny Rollins and Dexter Gordon at an early age. Candy picked up the sax at age 7, fronted her own band by the age of 14, and has been unstoppable ever since. She and her father often guest on each other’s albums. Even mother Inge is involved working as Candy’s manager. Candy lives in Amsterdam, a good news-bad news thing for fans. Bad news because we have to wait so long to see her in concert. Good news because she is not influenced by big American record companies; she can record what she wants, when she wants, the way she wants.

So how did “a white girl from Holland” learn to play such a funky horn? It helps that her influences include Maceo Parker, Pee Wee Ellis, and Fred Wesley. If those names sound familiar, they should. Collectively they are known as the JB's, James Brown's horn section. Tower of Power and David Sanborn are also big influences. The JB’s, Tower of Power’s horn section, and David Sanborn have all appeared on her CDs at one time or another. And who can forget Prince and his cry “When I want sax, I call Candy”. Her connection with Prince is an association that almost didn’t happen; at the last minute, Prince backed out of a gig, but made it up later by inviting her to play on stage with him during one of his concerts.

Dulfer’s second number was “Finsbury Park, Cafe 67”, a cut from her latest CD Right In My Soul. Currently it is number one on the Smooth Jazz and R&R charts. It seemed like everyone in the audience knew the song. Next, Candy introduced a song called “Freak Out”, also on her new CD. She said she likes it because it starts off normal but she gets to “go crazy” later on. She did, and brought down the house again. Then she played “What’s In Your Head”, a tune that had 70’s disco and 80’s influences, at one point sounding like something Morris Day and The Time would play. Girlfriend worked that sax. She walked back and forth across the stage, rhythmically swiveled her hips, bent forward and back, walked out on one of the dinner tables, and blew the crowd into a state of exhilaration. By now her face and arms were glistening with perspiration.

Of course, Candy went back to the song that gave her her big break; a tune called “Lily Was Here”, which she recorded with Eurythmics’ guitarist Dave Stewart. Smooth Jazz stations picked up on the song and gave it wide airplay in the US, while it went to number 6 on the UK charts. Granted, Smooth Jazz stations have given Candy lots of support and have been instrumental in her career, but they are missing about 80% of what she is capable of. Her best stuff does not get played on the radio. She blows away most other saxophone players you hear on Smooth Jazz stations today.

Dulfer played several more tunes from the new release including “Lost and Gone”, a tribute to two close friends of hers who passed away this year, ironically during the time the album was being recorded. Keyboardist Thomas Bank played a beautiful piano solo on the tune, and guitarist Ulco Bed did a haunting guitar solo.

Candy did sadden the audience at one point when she announced that they had only two numbers left. The crowd emitted a chorus of “Noooo.” When she announced her last song, she said that it had taken on many different variations over the years, and she hoped we liked the one she was about to play for us. She and the band started it off and after only a couple of notes we recognized they were playing the title cut from “Sax-A-Go-Go”. We all chanted it with her. On the CD there is a part where rapper Easy Mo Bee raps. Candy sang that part, complete with facial expressions and body movements, then without missing a beat launched into her sax solo. Yet again, she brought down the house and got a well-deserved standing ovation.

When she came out for the encore, she introduced the Donny Hathaway tune “Valdez in the Country”. This one is also on her new CD and features Maceo Parker. She gave that old Selmer alto saxophone one more workout, striding across the stage, and walking over and doing battle with the drummer who made some strange facial expressions of his own during the solo. All too soon, it was over. The audience got a chance to catch its breath again. Candy came out and signed autographs afterward.

As a writer, it is my job to describe the indescribable. I tried to explain this concert to friends, without much success. On one hand it felt like Candy gave the audience almost as much of a workout as she got. On another, it was kind of like the critic who, after seeing John Coltrane for the first time, said he couldn’t explain what had happened; all he knew was that he felt elated. I do know what happened Friday night, but I still can’t explain it. And I do know it was one of the best concerts I have ever been to. But I think my friend said it all when she told Candy as we left, “you rock!”

For you earlybird Expo Update readers, you can catch Candy at her last California appearance on this tour at The Key Club in West Hollywood this Wednesday the 29th. (Her El Cajon date on the 26th was cancelled due to the current wildfires in the area.)

Stan Thomas is a photojournalist who loves music!  For feedback write him at kanale90@aol.com.

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Community Cries Foul Over Board Game

Story by Stan Thomas

No sooner did the Expo Update cool off from the last article than another racial furor flares up. This one involves a very controversial board game. You may have read the news or heard on the radio about a new game called Ghettopoly.

In case you haven't heard, instead of the well-known Monopoly properties like Park Place and Boardwalk, Ghettopoly features, according to the MSN news article, places like Westside Liquor, Harlem, The Bronx, and Long Beach City, and squares labeled Smitty’s XXX Peep Show, Weinstein’s Gold and Platinum, and Tyron’s (sic) Gun Shop. One space allegedly shows Martin Luthor King, Jr. - intentionally misspelled in the game - scratching his groin area while saying "I Have An Itch"; obviously a swipe at King's famous 1963 "I Have A Dream" speech.

David Chang didn't mean Ghettopoly to be a racist product. He says it has to do with stereotypes. Chang adds, “if we can’t laugh at ourselves ... we’ll continue to live in blame and bitterness.” No doubt, he also saw a way to make some quick money off the images he sees constantly on MTV, VH-1, and BET and hears constantly on the radio. You cannot deny Chang’s enterprising mind; he has Ghettopoly gear for sale on his site including jerseys, hoodies, ‘wife-beater’ tank tops, and, you guessed it, thongs. Just in time for Christmas.

Hasbro, a parent of Milton Bradley, has reiterated its demands that Chang "immediately stop selling this game". Hasbro plans to bring a suit against him because Ghettopoly "violates our MONOPOLY game intellectual property rights." (Monopoly is a Milton Bradley brand.) Even so, Chang has plans for other games called Thugopoly, Hoodopoly, and Redneckopoly.

The NAACP has criticized Chang. Black clergy in Philly have already called for a boycott of Urban Outfitters, the store that sells Ghettopoly. (This new broke last Thursday. By the next day, Urban Outfitters had pulled the game from its shelves. On the online auction site eBay the game is now going for over $100, a 60% mark-up from its original $29.99 price. In the time it took to write this article, the eBay price has gone up 25%.)

Swift and effective outrage has been wielded over this game but there are many more ways this P.I.M.P culture is being exploited and perpetuated. Not long ago, a new L.A. radio station KDL 103.1 FM hosted a Pimp ‘N ‘Ho Party in Las Vegas. Not only did a search for that particular party on Google find it immediately, it also revealed other two shocking results: 1) the number of "Pimp and Ho Party" matches Google found, 2) the number of non-Black entities that held these parties.

Rapper Nelly has introduced his own brand of energy drink called..... Pimp Juice. Erin Patton, president and CEO of the New York marketing and communications think tank The Mastermind Group wrote an eloquent open letter to Nelly, which appeared in the August 26, 2003 edition of EUR. How long before we hear commercials like: “(Slap!) Go get my Pimp Juice, be-atch.” And then there is Nelly’s new line of jeans called “Apple Bottom.” Where are Al Sharpton and Jesse Jackson on these issues?

The outrage against Ghettopoly is justified. This sale of this game needs to be stopped. Imagine what effect it will have on kids, in addition to what they are already being subjected to. But we cannot call Mr. Chang a racist for producing it. The fact that a game like this was created in the first place is a reflection of how much the lifestyle depicted in the game has been glorified over the years. No, brothers and sisters, we did most of this to ourselves.

 Editor's note: The ghettopoly.com website has been taken down as of this writing.


AfterShock Registers A 9-0

Story and photos by: Stan Thomas

Congratulations once again to the Long Beach AfterShock women's football team. Their perfect 9-0 record earns them a spot in the playoffs their first year in the Women's Professional Football League. The 'Shock exhibited in last year's Expo and won the AFWL championship that year. They moved up to the WPFL this year, the major leagues for women’s football.

A new head coach, a few new players, a different league, and the same winning sprit came together to produce an undefeated season for the 'Shock. With their playoff berth having been clinched last week, they ended their regular season with a 40-6 rout of the L.A. Amazons Saturday. Since the 'Shock has a bye this week, their opponent in the October 25th playoffs has not yet been determined. (Visit their website for the latest details.)

The photos are from last week's game at Chaparral in Temecula against the So Cal Scorpions. The 'Shock stung the Scorpions in that contest 41-10. Though the Scorpions scored first a few minutes into the first quarter, they didn't see the endzone again until late in the 4th. Among the AfterShock highlights were Adrienne "A-Train" Penn kicking the extra point, quarterback Mary Margaret Montgomery delivering a solid (and no doubt painful) block to a defender during a run, and Colleen Rhemm's touchdown off a highlight film-worthy interception.


Rush’s Remarks Rattle Race Relations

 Story by Stan Thomas

Here we go again. Yet another racial firestorm has been touched off, this time sparked by Rush Limbaugh, syndicated radio talk show host and now former commentator on ESPN's Sunday NFL Countdown pregame show. Limbaugh’s remarks about the media’s perceived favoritism toward Philadelphia Eagles’ quarterback Donovan McNabb drew the ire of those inside - and outside - the African-American community and eventually led to his resignation.

Supposedly the land of the free, our country is still having race relations problems after 227 years, close to 400 if you go back to colonial times. Will things ever really get to a point where we can talk about Blacks and Whites without one side calling the other racist? Will we ever get to the point where we can see a situation for what it really is instead of coloring it by race?

During his commentary, Limbaugh said, "I think what we've had here is a little social concern in the NFL. The media has been very desirous that a black quarterback do well (emphasis added). There is a little hope invested in McNabb, and he got a lot of credit for the performance of this team that he didn't deserve. The defense carried this team." Extremely bad word choice or Limbaugh's true thoughts? Had he said, "The media has been very desirous that Donovan McNabb do well," there would not have been the uproar that has ensued. Limbaugh can say what he will about the performance of the team or the individual. But to chalk up to the race card the positive press McNabb and the Eagles have gotten is ridiculous. How many non-Black quarterbacks - or any other celebrity for that matter - have gotten positive media attention even though they have given lackluster performances?

Remarks like these suggest McNabb may have gotten his job just because he is Black. Not that he was good enough to beat out all the other contenders for that position. Not that he was good enough to hold onto it for several years. Black or White, you don't just walk up to the Eagles' front office, tell them you want to play quarterback and get the gig. McNabb has good reason to be shocked and peeved. Just think if you had worked hard and practiced hard, honing your skills for most of your life. Then as you rise to amongst the cream of the crop in your profession, someone comes along and says, “Your skills aren't all that good; the reason you’re still here is because of your skin color.”

ABC had comedian Dennis Miller in the booth for Monday Night Football. Dennis is good as a comedian, not as a football commentator. Likewise for Limbaugh. His comments have their place on his own conservative radio show, not in the broadcast booth as a football commentator on national television. On Limbaugh's radio show last Friday, a caller said, "you were hired to give your opinion and you gave it." Rush agreed. So, it is safe to say that ESPN knew that they were bringing onboard a potential powder keg when they hired him.

Later in the same radio show, Limbaugh said that the constitution guarantees free speech, but in this country, "we don't have free speech". He went on to comment on people not saying what they really think for fear of being disliked, or worse, losing their jobs. The same applies in politics, he said. Candidates are afraid to be who they are, so the public never knows what they’re really getting. Rush said he will not apologize for his comments. If someone proves to him that his comments on this situation or any other are wrong, he says he is big enough to admit it. Still, he seemed pretty hot under the collar about all the flap over his comment. Most of the fuss Limbaugh attributes to the pervasive political correctness culture we live in. He says that there is a double standard in this country where Blacks can make certain comments about Whites, but not vice versa.

Of course, there are people who support the comments Rush made and firmly assert that he is not racist. Many of them are speaking out on conservative talk shows and newsletters. Some journalists are agreeing with Limbaugh’s statements. However, many of them are choosing not to, attributing their silence to the double standard of race.

This is just another in a long string of sports commentators igniting a furor over their racial remarks, intended or otherwise. Remember in 1983 during a football broadcast when Washington Redskins' wide receiver Alvin Garrett, who is Black, broke a big play and scampered down field for a huge gain? Howard Cosell was on the mike at the time. In what are now infamous words, Cosell, in his excited call of the run blurted out, "look at that monkey run." Though there were angry calls for his ouster, Cosell kept his job until he retired. What do you think would have happened if he said that today?

Now to Rush's credit, he did speak out on the lack of Black head coaches in the NFL, and the possible reason for it. In the commentary titled "Don't Make African-Americans Pawns”, he spoke about why Blacks may be considered pawns. Listen to an audio of the commentary here:   (If this does not work on your computer, go to the Rush Limbaugh link above and click on the "high" or "low" link next to the “Week One: Don't Make African-Americans Pawns” under the ESPN Sunday Countdown heading).

Rush found out that though freedom of speech is one of the great freedoms of our country, it comes with the responsibility to watch what you say in certain situations. Comedians have to clean up their language when on television, don’t they? Limbaugh has had to resign from his position with ESPN because of his speech, but he has even more troubles now. He is allegedly being investigated for buying illegal drugs. Let’s see if he has a double standard of his own.

Expo update speak-out: What do you think? Write us at info@blackbusinessexpo.com

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Curaçao, Wow!

 Story and photos by Stan Thomas

 Curaçao. Isn't that the liqueur that makes a Blue Hawaiian blue? Or that building on Olympic Blvd just west of the Harbor freeway? Or that small Caribbean island between Aruba and Bonaire? The answer is yes, all of the above.

The island of Curaçao lies 35 miles off the coast of Venezuela in the Caribbean and is part of the Netherlands Antillies. It is the largest of what is referred to as the ABC islands - Aruba, Bonaire, and Curaçao. The official language is Dutch, but the most widely spoken language is Papiamentu, a creole language comprised of Portuguese, Spanish, Dutch, and several African languages. Most Curaçaoans are multilingual, speaking Dutch, Papiamentu, and Spanish fluently. Most also speak English. About 170,000 people from 55 different cultures call this island home. Curaçao’s Board of Tourism promotes the island with the saying “Curaçao. Real. Different.”

As recently as 8 years ago, I had never heard of this island. While on a Caribbean cruise in 1995, my wife and I met a couple from this place. They spoke no English. But they did speak Spanish so I was able to communicate with them. Little did I know that I would one day visit their island.

This excursion actually started out as a whim: If our band could get two days off in a row from our engagement in Jamaica, I wanted to see if I could visit another Caribbean island. Remembering the couple from the cruise, I thought of Curaçao. We got our two days off and I got permission to 'escape' to Curaçao. By then, the song “Curaçao” by Arrow (the same guy that originally did “Hot, Hot, Hot”) had begun playing in my head. It became the soundtrack for the entire trip.

After a smooth plane ride, we landed at Hato Airport in Curaçao. I stepped off the plane expecting that familiar hot, humid, Caribbean breeze to hit me. Instead I was greeted by hot, dry trade winds. It felt more like being in the Antelope Valley than on a Caribbean island. As I walked with the rest of the passengers into the terminal and through customs, it suddenly hit me; here I am alone in a foreign country where English is not the official language or even the most widely spoken. Though the travel agent had given me a few brouchures before I left Jamaica, I had no plans and no agenda. I was so excited to be making this trip, I had forgotten to ask exactly where my hotel was. What do I do now?

I walked over toward an information kiosk and the attendant asked me, in English, if I was visiting the island. I said yes, and she handed me an invitation to a new resort hotel. I later found out it was a time-share presentation, but at least now I had something to do. Walking out of the terminal, I looked at the long line of taxis. Getting up the courage to approach them, I asked, in Spanish, to go to Howard Johnson's. It was a short drive, about 15 minutes or so. I checked in, again in Spanish, and went up to my room. This was about 2pm local time so I had the whole afternoon and evening ahead of me.

When I came back to the lobby, I asked the receptionist what I should do next. She suggested walking across the floating bridge and getting familiar with the city. Willemstad, which is divided into two sections, Punda and Otrobanda, is advertised as a 'walking city'. It has also been a UNESCO World Heritage site. A floating bridge, which swings open to let ships pass, connects Punda and Otrobanda. Colorful, picturesque, Dutch architecture was at every turn. I walked in and out of several stores just taking in the flavor of this island. Here, too, the youth were rocking Phat Farm and Sean Jean. The music was very diverse including rap and lots of salsa. It wasn't long before I stopped trying to remember the way back and just walked wherever my feet led. The bright sun was still up so I knew I couldn't get lost.

Wandering through the Punda section, I ran across a group of men sitting at an old table playing dominos. I asked one of the men, in Spanish, if I could take their picture. I thought he declined my request so I thanked him and started to walk away. The man who was not playing called after me, "him say okay." I took their picture, but would have liked to have played a game or two with them.

It was getting dark so I walked back across the bridge to the Otrobanda side. (Otrobanda means simply “other side” in Papiamentu.) There were some benches in the plaza outside HoJo's so I sat and watched the people go by for a while. Around 9 o’clock I decided to have dinner at La Bahia restaurant, which I had seen several times during my journey. I ordered my dinner in Spanish and one of the bar patrons overheard me. His name was Winston and we talked for quite a while about Curaçao. Winston gave me a history lesson about the island. He said that the forts were built at the mouth of the bay for protection because other nations kept stealing the slaves from the island. He also told me that Curaçao was outside the hurricane belt therefore never suffered like the other Caribbean islands. As he got up to leave, we shook hands, and as he left he invited me back to the island. My dinner was goat stew, cooked in the traditional Curaçao way, “just like granny used to make.” That was by far the best goat stew I ever had! So much flavor! If I had some bread I would have sopped the enamel off the plate. You go, Granny!

The next day I was supposed to go to the time-share presentation. There was a mix-up in the arrangements so things did not go as planned. But I did get to meet three new friends who worked there; Roy and Remi from right next door in Aruba, and Mercedes from Mexico. We had a great time learning about each other in both English and Spanish. The driver who took me back was named, coincidently, Stanley. Needless to say we got along real well. Stanley is a native Curacaon and studied in the Netherlands for four years. He has visited Venezuela and Miami, but wants to visit New York. He speaks four languages but admits Papiamentu is a difficult language to learn. When he dropped me off, I realized I was beginning to undertsand some of the signs in Dutch; ‘bushalte’ is bus stop, and ‘straat’ is street.

This was also the day that Royal Caribbean's cruise ship Adventure of the Seas was in port. It seems the whole city knows when the cruise ship is in, which cruise ship it is, and when the next one arrives. There is a lot more activity around the shops. Some of the street vendors only open their stalls on cruise ship day. You could tell the tourists a mile away by their dress. And on several occasions, you could tell them by their screams; several times they walked onto the floating bridge, ignoring the warning bells, flashing lights, and lowered gates. When the bridge started to swing open, you would hear, "aaaahhh, the bridge is moving!"

Back at the hotel, I scanned the television stations. There were a few broadcasting from Miami in English. HBO Plus showed English movies with Spanish subtitles. "Undercover Brother" was on one night. Almost as funny as Eddie Griffin were the translations of his lines into Spanish. There was also a station from Venezuela, and one broadcasting in Dutch.

On my last day, I left the hotel to do some last-minute souvenir shopping. I noticed that all of the shopkeepers addressed me in Papiamentu. It must have been that deep Caribbean tone my skin had taken on. I was able to say "Bon Dia" (good morning) but had to finish the conversation in Spanish. In one of the stores, I spoke with two gentlemen, one from India, the other from Guyana. The diversity of the residents was very apparent and very intriguing. They can all get along, why can’t we?

One of the last places I visited was a small café outside a small shop. The lady who owned the shop invited me in. I ordered some orange juice. She was out but went and squeezed some fresh for me. Meanwhile I talked to her mother, who was minding the outdoor store. ‘Abuela’ and I talked more about Curacao and she asked if I liked the island. Of course, I said “yes.” Then the lady returned with my juice and we talked in Spanish. She talked me into ordering an empanada. I ate it, thanked them both, and left. I had the feeling that they would have invited me to their home for dinner had I not been leaving in a few hours.

There was so much I didn’t get to do or see in Curaçao. But it was time to leave. When I got into the cab to go back to the airport, I felt a deep longing that there was some unfinished business here. It was actually painful to leave this place that I could consider calling home. Ayó–ayó, Korsou. Ku poder di Dios, nos lo topa atrobe. (Translation: Bye bye, Curaçao. God willing, we'll meet again!" )

 

Click to see photos from Curacao

Want to win a trip to Curaçao? Radio station 94.7 The Wave’s current destination in their trip-a-day giveaway to the Caribbean is Curaçao. Sign up at http://www.947wave.com/ and you could win a trip for two to this real, different island.

Listen to live radio form Curaçao: http://www.comfm.com/live/radio/?c=an

Learn to speak Papiamentu: http://www.narin.com/papiamentu/index.html

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Down on the Street in Ocho Rios Jamaica

Story and Photos by Stan Thomas

Last year, the Expo Update took you to Ocho Rios, Jamaica through the lens and pen of yours truly. (Click here to see last year’s photos.) Blessings have been poured out again and I was able to return to Jamaica. But this time we get down on the streets of Ocho Rios to get a taste of life outside the resort areas.

The photo here shows an overview of Ocho Rios. The tennis court in the bottom right of the picture is on the hotel grounds. Venture about a hundred yards or so past the tennis courts towards the bridge that crosses the river and you’re off the hotel property. The photo on the front page of the Update is one of the main roads through St. Ann’s parish, where Ocho Rios is located.

Ocho Rios, as most of you know, is a resort area. It is quite a bit removed physically and scenically from the bustling capital of Kingston just across the island. But all the pictures you see of Ochee, as the locals call it, are of this resort area. Beaches, Sandals, Renaissance Jamaica Grande, are some of the resorts that beckon you to come enjoy a tropical all-inclusive vacation along private, palm tree-lined, white sand beaches. Unless you walk outside the hotel gates, you’ll never know what’s going on just a few yards from your vacation paradise.

On one occasion I had to go find the Trafalgar travel agency to make arrangements for a side trip. It was about a quarter mile down the street from the Jamaica Grande. I was wearing shorts and an untucked T-shirt while walking to the office. I fit in with most of the guests in the hotel with their ‘beach wear’, but on the streets I stuck out like a sore thumb. (Note to self: next time, dress as you do at home. When I did that, I blended right in. No one could tell I was from the States…. until I opened my mouth and my ‘accent’ gave it away.) It felt like I was wearing a flashing sign that screamed “tourist.”

As soon as I reached the craft faire, I ran into Lancelot, my driver whom I met last year. I was shocked that he remembered me. He welcomed me back to Jamaica with a very hearty handshake and a big bear hug. We talked for only a brief minute because I had to get to Trafalgar.

Trafalgar was easy to find. Once inside, I had to wait while the arrangements were being made. While waiting, I looked out the window and watched the street scene unfolding in front of me. If not for the buildings, this could have been just about any US city. People going home from work. Children walking home from school. Women in business outfits. Young men hanging out with their cell phones. Someone using a hanger to open a car door, whose owner had accidentally locked the keys inside, while several onlookers offered ‘advice’. Store owners outside talking.

One thing became startlingly clear after a while; white people looked out of place here. Not just by the skin color, but by their ‘beach wear’. And those wristbands that identify hotel guests with the all-inclusive package could be seen from a mile away. (I quickly tucked mine under my watch.)

Every so often, a taxi would drive by with 4 loudspeakers on top blaring out some message. The loudspeakers reminded me of 1950’s propaganda campaigns. The passengers were waving green flags. I learned that there was an election in a couple of days and the green flag-waving taxi promoted the Jamaican Labour party, or JLP. A few minutes later another car would come by also waving green JLP flags.

After leaving Trafalgar, I walked further down the street in search of beef patties. A beef patty is something like an apple turnover except it has meat filling. The hotel had them but it is not the same as getting the real deal. I found them at a place called Mother’s, a franchise similar to KFC. After inhaling two of them, I drifted further on down the street.

Soon I ran into a couple of familiar faces from last year: two old dudes, one who walked on crutches and two wooden pegs for his legs, the man other had summer teeth. Mr. ‘Summerteeth’, whom I’ll call ‘Bennie’, had green eyes that shone with a brightness that belied his age and his current condition. I couldn’t help noticing how bright his eyes were. I gave the man on crutches a dollar. I stayed and talked to Bennie for a long time. The conversation ranged from what was going on in Iraq to what was going on in the United States, to what Bush was up to. To hear how the same news story is presented in another country is an eye-opening experience.

It wasn’t long before another car drove by waving green JLP flags. Bennie flashed a peace sign and cheered. He then told me how he felt about the party in power, the People’s National Party, or PNP.  He also talked about countless killings for which no explanation was ever given. (On election day, a bus driver told about corruption in the PNP, about how they bought votes from the citizens.) Then a car drove by waving a red flag. Bennie yelled out “**** the PNP.” This happened then next two times a car drove by waving red flags. When a younger man across the street said something to him, Bennie made reference to an unpleasant activity his mama engaged in. I thought, “oh no, here we go,” but the younger man let it go. By the time I left Bennie, the one or two JLP cars had become a caravan of a half-dozen or more JLP cars driving around the area.

The JLP won the election. Many taxi drivers and shopkeepers I talked with are looking forward to better days. However, a waiter from the hotel summed it up best when he said he wished there was just one party, united for the benefit of all Jamaicans.

By now my Jones for jerk anything had kicked in. Of course the hotel served jerk chicken and pork. It was delicious but it’s not the same as the real authentic stuff you get on the street. You know how it is when popular restaurants serve ethnic food; they have to make it milder to appeal to the masses. So I asked some taxi drivers if Portland was still a good place to get jerk cooking. (Portland, as my friend Lancelot told me last year, was where the jerk style of cooking originated. Now there are jerk centres everywhere.) “No, Mon,” one of them said. “Now the place to go is Double V. They have the best jerk going.” Mouth watering already, I had one of the taxi drivers take me to Double V Jerk Centre. We arrived, but since it was a Sunday they were closed. My heart was set on jerk and I wasn’t giving up that easy. My driver suggested Towne Jerk Centre so we drove further up the road. They were open and I ordered some jerk pork. The round-trip taxi fare cost almost five times as much as the food. But when I tasted that pork, mmmm, those spices, the flavors, the juicy tenderness, it was well worth it. And they said Double V is better than this?

Leaving the hotel property gives you a look at the real Ochee. Yes, you do have quite a few people stopping you trying to sell you trinkets, shirts, and weed, especially close to the hotel. Yes, there is a lot of poverty and it is not the pretty pictures you see in magazines. The real Ochee also reflects aspects of the United States. A quote from Father Easton Lee says he is concerned that “the once simple Jamaican lifestyle”, is  “influenced by what is seen on television, has given way to more material pursuits.” You can see what Lee is talking about when you see today’s Jamaican youth. BET and MTV have had more of an effect on the world than we care to admit. Yet, given all of this, I love it here.

Click here to see this year’s photos

Story and photos copyright © Stan Thomas. Comments, questions, suggestions? Contact him at: kanale90@aol.com

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A Dream Deferred? A Dream Come True! (continued from front page)

Photos and Story By Stan Thomas

What does happen to a deferred dream? Langston Hughes pondered this question in his classic poem "A Dream Deferred". Playwright Lorraine Hansberry wrote the play "A Raisin in the Sun" based on a line from that poem. Maybe it is a product of the times they lived in, but they seemed to say that dreams that don't come true would soon die in one form or another.

In a high school class exercise we were asked to write down what we expected to be doing in our lives 5 years, 10 years, and 25 years from then. I wrote that in 25 years I wanted to realize my childhood dream of becoming an airplane pilot. Between then and now, a lot of life happened. After college, it was evident I was not going to realize my dream.

By Mr. Hughes' account, this dream should have long since dried up, carried a foul stench, sagged and exploded. It did none of the above. This dream turned out to be more like a dormant seed; dropped in the ground amongst the weeds and all but forgotten. Sometimes it takes adversity to bring seeds and dreams to life. Some pine tree seeds need a forest fire to start their growth into the towering giants they will become. Some wildflower seeds need a drought-ending flood to germinate and cover the valleys with a carpet of beauty.

As I said earlier, a lot of life has happened between then and now. I've had my own personal fires and floods. Apparently this was what it took for my dream to take root and begin to sprout. In February, my dream was bathed in the sunlight of inspiration. While getting off the 105 freeway at Crenshaw, I saw a sign for Discovery Flights being offered by Security Aviation at the Hawthorne Airport. I called them up, got some information, and thought about it for a while. Then I made my decision; let’s do this. My dream was now within reach. It had not crusted over, it had not festered and run. It had begun to grow.

The big day arrived on May 8th. On the way to the airport, I stopped off at the Watts Coffee House to fuel up with some of Desiree's melt-in-your-mouth waffles. I arrived at the airport and signed in. Roseanne, my instructor, arrived moments later. She was slender and had a European accent. I would later find out she had seven years of flying experience under her belt, and liked being an instructor. We walked out to an old Cessna 152 two-seater with dual controls. She went through a preflight check as I climbed in. The cockpit was cramped but tolerable. She cranked the engine but it appeared to have other ideas about starting. She tried two more times before it finally sputtered to life. We rolled out to the engine run-up area where my instructor went through the final items on the flight check. On the way she explained how some of the controls worked. We got clearance from the tower and began our takeoff roll. Roseanne told me to pull gently back on the yoke once we reach 55 knots. "Are you kidding?" I thought to myself. "I'm going to take off?" So I gently pulled back on the stick at 55 knots and up we rose into the wild blue yonder.

Roseanne gave a few instructions as we climbed higher into the sky, but the plane was so stable that I didn't have to do much. She told us where we were headed and what to do when we reached certain points. My senses were almost overwhelmed by the view, the fact that I was seeing the place I was born, raised, schooled, and worked from a perspective from which I had never seen it before, and the knowledge that I was actually flying a plane.

At around 1200-1300 feet we leveled off. We continued to head out toward the ocean. Then we banked left and headed south down the coastline. I tried to identify the different beaches and piers as we passed over them. It was difficult to keep my attention on the plane because the sights below were so beautiful.

As we approached Long Beach, we turned inland and roughly followed the 710 freeway. Roseanne radioed in to the Long Beach tower that we were approaching their airspace. They gave us clearance to proceed. When we reached the 405, we did an impromptu version of traffic news; there was an accident directly below. We located it by looking at the southbound traffic and noticing that it stopped where the northbound traffic opened up. We circled above it once and continued on our way.

On toward downtown we flew. Except for the drone of the engine, which was muffled by the headphones we wore, it felt as if we were soaring. The wind was calm. The only way to describe the feeling is with a well-known cliché; we were flying like the birds. So what if our feathers were made of aluminum and our wings didn’t flap. I wanted to stay up there all day.

As we reached downtown, the actual task of flying started to sink in. Roseanne instructed me to turn westward and head toward the ocean. We looked at the maze of freeways below us and found the one that would put us on the course Roseanne set for us. She adjusted the trim on the elevators so we could climb to 3500 feet. Along the way, she contacted both Santa Monica airport and LAX for permission to cross their airspace. There was obviously a lot to know while one is up there aside from just keeping the plane straight and level; radio frequencies to contact different airports on, altitudes at which to fly in whose airspace.

Like all good things, this too had to come to an end. After visiting the coastline a second time, we headed back inland toward Hawthorne. Roseanne cut the power to minimum. The propeller turned so slowly that you could see the individual blades. But we descended smoothly. A quick 180-degree turn and we were on final approach. Seconds later we crossed Crenshaw Boulevard and were over the runway. The wheels seemed to reach out for the concrete and soon found it. We were down.

We pulled up to the fueling pump, refueled the plane, and parked it back in the stall. I unfolded my legs and get out. While we walked back to the hangar, I asked Roseanne some general questions about flying lessons and what it would take to get my pilot’s license. She answered all my questions. She also said I would need a larger plane.

After we reached the hangar and turned in the logbook, she gave me her card and a couple of last-minute bits of information I could use should I decide to pursue a pilot’s license. I thanked her and said goodbye. It wasn’t until I was about a quarter of a mile away from the hangar that it hit me; I had just flown an airplane! I was hooked. I’ve always loved flying in jets as a passenger but this was different. This was special. Even though I missed my prediction by one year, and even though it was only for a few minutes, for those few minutes I had realized my dream; I was a pilot.

With much respect to and inspiration from Langston Hughes, I would add the following lines to his brilliant poem:

Or does it lie buried like a dormant seed

Awaiting the kiss of adversity

 

Click the link to go flying with Stan. Buckle up! www.imageevent.com/kanale/deferred

 

Black Journalist Gives Many A Black Eye

by Stan Thomas

Seems like every week we hear a new installment in the Jayson Blair debacle. You remember Jayson Blair, the black ex-reporter for the New York Times who was forced to resign because he fabricated a few stories and plagiarized others.

Now he is lashing out at the company that hired him. Talk about biting the hand that feeds you. From reading the accounts of his tenure at the NYT, he should have been given the boot years ago. But he was coddled, given what amounts to slaps on the wrist, and eventually promoted. Some psychobabble justification was offered to explain the promotion. This sounds an awful lot like the absurd policy of social promotion in our schools. It also sounds a lot like the Peter Principle which says that people tend to be promoted up to their level of incompetence. So in some respects, although they were conned by Blair, the NYT bears some responsibility for their current situation.

New problems have been uncovered in at least 36 of the 73 articles Blair wrote since his promotion.  That’s about half of all the articles he wrote. I, like many other journalists wonder, “isn’t anyone doing fact-checking BEFORE these stories get printed?” The NYT found that Blair was never actually in some of the places he claimed to be reporting from. It doesn’t take Sherlock Holmes to figure out that something was up when Blair didn’t turn in expense reports for those assignments. Recently the NYT had a ‘damage control’ meeting about the situation they find themselves in. You can get all these and other details on the Blair debacle by going to Google News and typing in “Jayson Blair”.

The problem I have with all this is the fallout. Granted, how people react to the situation is not Blair’s fault. But Blair’s actions are his fault. And it’s a good bet that in the very near future, some bright young black reporter is not going to get a job because of it.

In some circles there is talk of abolishing affirmative action, a program that Blair admits he benefited from. The anti-affirmative action people have always been around, but Blair has given them more ammunition. “See what affirmative action got us?” they say. Blair is upset that Steven Glass, who also was fired for fabricating stories, is thought of as brilliant, while Blair is ‘just an affirmative action hire’. It was Blair himself who decided to play the race card. So now instead of being judged as an individual, he is forcing his critics to think of him as part of the affirmative action group.

Blair blames the ‘racist’ system for how he turned out. As a partial result, he says he had to ‘kill Jayson Blair the journalist to save Jayson Blair the person’. However he thought he had to handle the situation, he didn’t have drag the NYT down with him. He could have just walked away. Furthermore, if Blair says he was the victim of racism, why didn’t he file a claim against the NYT? Unfortunately, now we have another brother who chooses to blame his environment instead of accepting responsibility for his own actions.

It is hard to imagine that Blair got where he is without knowing how much more scrutiny is placed on Blacks the higher up in a corporation they move. Accordingly, he should have known how his actions would reflect on the Black community as a whole. Apparently he didn’t care because now Blair has given all black journalists a black eye. It is a bad case of guilt by association. What makes it worse is that Blair supposedly was nominated for and received an award from the National Association of Black Journalists. Blair’s actions prompted (a better term might be ‘forced’) the NABJ to issue a news release stating their position on the matter. Even cartoonist Aaron McGruder had something to say about it in his May 23rd installment of his cartoon The Boondocks.

At least one reporter, American Daily journalist Jonathan David Morris, used this story as an opportunity to take a swipe the existence of any organization, which caters specifically to Blacks. His comments are buried in the middle of his article, but they are there. Again, not Blair’s fault but…

And now Mr. Blair wants to write a book and make a movie about his experience. He says he’s doing it so that others may ‘learn from his mistakes’. Sounds like the brother wants to get paid. I, for one, will not be buying the book or paying any of my hard-earned money to see his movie. I will not be rewarding him for lying or the trouble he has caused black journalists, of whom I am a part. (I feel the same way about anyone, black, white, or whatever, who commits a crime and then tries to sell his story.) Let him do some good to make up for all the hurt he’s caused to his friends, his ex-coworkers, and to his race. Then, maybe after he is making news because he has turned his life around and the lives of a few others, we’ll talk about that book.

Some other links you may find interesting:

Newsweek - “I’m Only Guilty of Being a Good Friend”: http://www.msnbc.com/news/917857.asp?cp1=1 Zuza Glowacka, Jayson’s friend, speaks out

Alameda Times-Star “Jayson Blair -A Study In Compassionate Racism”: http://www.timesstar.com/Stories/0,1413,125~1511~1399484,00.html

AterNet.org : “The Jayson Blair-Witch Hunt Project”: http://www.alternet.org/story.html?StoryID=15974

Working for Change – “What’s the Big Deal About Jayson Blair?”: http://www.workingforchange.com/article.cfm?ItemID=14990  Says what Blair did is small potatoes compared to other NYT fiascoes

Sunspot.net – Maryland’s Online Paper: “It’s True – Blair’s Falsehoods May End Up Making Him Rich”: http://www.sunspot.net/news/local/bal-md.kane24may24,0,6708728.column?coll=bal-home-columnists

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Stan Thomas, Kanale Creations, was the very first photographer for the Los Angeles Black Business Expo and has not missed one since it moved to the Los Angeles Convention Center 13 years ago. Photojournalist.

A native Californian, his love of photography blossomed during a trip to Hawaii in 1990. Though he has studio experience, Stan usually works outside of the studio. Each of his subjects has its own story to tell, whether it be the emotions expressed in the smile of a child, the history behind a 300-year-old castle, the grace and power displayed by a 25 ton jet, or the beauty of nature itself. The goal of Stan's work is to bring the viewer into the image to experience that story. He achieves this by letting his subjects be themselves and/or studying the subjects before he photographs them.

One of Stan's dreams is to meet a client who will say to him, "We're going to Africa (or Hawaii, Japan, the Caribbean, etc.) to study the area for a month. We want you to follow us around with your camera while we work." To view his work, click: http://members.aol.com/kanale90/   He may be reached at kanale90@aol.com